Witness to Atrocity: On Sarah Polley’s “Women Talking”
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”
Debby Waldman is not inspired by Martha Anne Toll’s “Three Muses.”
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
R. Colin Tait discusses Michael Schulman’s profile of Jeremy Strong.
Najwa Mayer reviews Jamil Jan Kochai’s new collection “The Haunting of Hajji Hotak and Other Stories.”
Hollis Robbins examines the legend of Phillis Wheatley, the first African American published poet.
Luke Parker presents his translation of Vladimir Nabokov’s 1928 poem “The Cinema.”
Erica Heller on coming to forgive her novelist father, Joseph, for their “fractious, doomed, exhausting relationship.”
Mona Kareem talks with Akil Kumarasamy about her new novel, “Meet Us by the Roaring Sea.”
Gabriel Hart reviews Woody Haut’s new novel “Skin Flick.”
Vivian Lam explores how Supergiant’s “Hades” turns Greek myth into a subversive allegory of resistance.
Daniel Lisi talks with Yesika Salgado about the fifth anniversary of her breakout poetry collection “Corazón.”
The hosts of LARB Radio Hour Kate Wolf, Medaya Ocher, and Eric Newman share their favorite books, movies, TV shows, podcasts, music, and more in this look back at the year that was 2022.
J. D. Connor analyzes how cultural shifts in the relationship between movies and money made James Cameron’s initial record-breaking blockbuster “Avatar” somewhat forgettable while the Disney marketing machine is now going to try to reinvent the franchise
James Penner speaks with Robby Krieger, the guitarist for the Doors.