After Further Review: Ghostface Killah’s “Supreme Clientele”
Oliver Wang and David Ma discuss Ghostface Killah’s “Supreme Clientele” and the trajectory of the Wu-Tang Clan around the turn of the century.
Oliver Wang and David Ma discuss Ghostface Killah’s “Supreme Clientele” and the trajectory of the Wu-Tang Clan around the turn of the century.
Alexander Billet listens to Damon Krukowski’s “Why Sound Matters.”
Tess Pollok interviews Melissa Febos about her new memoir, “The Dry Season: A Memoir of Pleasure in a Year Without Sex.”
Lana Lin dissects the literary and bodily significance of the appendix.
Lindsey Webb follows Rainer Diana Hamilton’s paths through sensing and remembering in “Lilacs.”
The LARB Book Club is one of the Los Angeles Review of Books’s signature membership perks where we discuss the seasonal selection directly with the author on our podcast and have an online discussion with members.
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
Erik J. Larson considers “The AI Con: How to Fight Big Tech’s Hype and Create the Future We Want” by Emily M. Bender and Alex Hanna.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Ivan Kreilkamp “blasts through ordinary perception” in Edward Steed’s “Forces of Nature: A Book of Drawings.”
Gracie Hadland relates to John Tottenham’s “Service.”
Eric Vanderwall reviews Peter Behrman de Sinéty’s new translation of French author Pierre Guyotat’s memoir “Idiocy.”
Tom LeClair clop-clops through Mark Z. Danielewski’s new novel “Tom’s Crossing.”
John Rieder explores Zac Zimmer’s “First Contact: Speculative Visions of the Conquest of the Americas.”
Josh Billings wonders about Helen DeWitt and Ilya Gridneff’s new novel “Your Name Here.”