robots

Los Angeles Review of Books » Events Feed

NextGEN Gallery RSS Feed

Events

<p>Join the Los Angeles Review of Books on Monday, August 30 at 1pm (PT) in the virtual faculty lounge for a live conversation and Q&amp;A about Netflix&#8217;s &#8220;The Chair&#8221; with co-creator Annie Julia Wyman and critic Merve Emre, moderated by LARB Senior Editor Sarah Chihaya.&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="existed_speaker_1389461">
<div class="form-group">
<div class="controls col-md-6 static">
<h1><strong>Featured Speakers</strong></h1>
<div><strong><span class="speaker-name"><img loading="lazy" class="size-medium wp-image-331927 alignright" style="padding: 0px 20px 0px 0px;" src="/wp-content/uploads/2021/08/annie-copy-300x300.png" alt="" width="300" height="300" srcset="/wp-content/uploads/2021/08/annie-copy-300x300.png 300w, /wp-content/uploads/2021/08/annie-copy-100x100.png 100w, /wp-content/uploads/2021/08/annie-copy.png 400w" sizes="(max-width: 300px) 100vw, 300px" /></span></strong></div>
<div><strong><span class="speaker-name">Annie Julia Wyman</span></strong></div>
<div><strong><span class="speaker-title">Co-Creator,&nbsp;<em>The Chair</em></span></strong></div>
<div><span class="speaker-comment">Annie Julia Wyman lived the adjunct dream at Claremont McKenna after earning her PhD in English at Harvard. Her most recent thing is THE CHAIR, now streaming on Netflix.</span></div>
</div>
</div>
</div>
<div id="existed_speaker_1389464">
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div class="form-group">
<p><img loading="lazy" class="size-medium wp-image-331929 alignright" style="padding: 0px 20px 0px 0px;" src="/wp-content/uploads/2021/08/EMRE-BOOKER-copy-300x300.png" alt="" width="300" height="300" srcset="/wp-content/uploads/2021/08/EMRE-BOOKER-copy-300x300.png 300w, /wp-content/uploads/2021/08/EMRE-BOOKER-copy-100x100.png 100w, /wp-content/uploads/2021/08/EMRE-BOOKER-copy.png 400w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<div class="controls col-md-6 static">
<div><strong><span class="speaker-name">Merve Emre</span></strong></div>
<div><strong><span class="speaker-title">Associate Professor of English, </span><span class="speaker-org">University of Oxford</span></strong></div>
<div><span class="speaker-comment">Merve Emre is Associate Professor of English at the University of Oxford. She is the author of several books and a regular contributor to <em>The New Yorker</em>.</span></div>
</div>
</div>
</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div id="existed_speaker_1389662">
<div class="form-group">
<p><img loading="lazy" class="size-medium wp-image-331928 alignright" style="padding: 0px 20px 0px 0px;" src="/wp-content/uploads/2021/08/Photo-on-11-16-15-at-2.37-PM-copy-300x300.png" alt="" width="300" height="300" srcset="/wp-content/uploads/2021/08/Photo-on-11-16-15-at-2.37-PM-copy-300x300.png 300w, /wp-content/uploads/2021/08/Photo-on-11-16-15-at-2.37-PM-copy-100x100.png 100w, /wp-content/uploads/2021/08/Photo-on-11-16-15-at-2.37-PM-copy.png 400w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<div class="controls col-md-6 static">
<div><strong><span class="speaker-name">Sarah Chihaya</span></strong></div>
<div><strong><span class="speaker-title">Senior Editor, </span><em><span class="speaker-org">Los Angeles Review of Books</span></em></strong></div>
<div><span class="speaker-comment">Sarah Chihaya is an assistant professor of English at Princeton University, and Senior Editor at the <em>Los Angeles Review of Books</em>.</span></div>
</div>
</div>
</div>


Departmental Drama - Los Angeles Review of Books

Join the Los Angeles Review of Books in the virtual faculty lounge for a behind-the-scenes chat about Netflix's "The Chair" with co-creator Annie Julia Wyman and Merve Emre, moderated by Sarah Chihaya.

description

https://www.facebook.com/Los-Angeles-Review-of-Books-LARB-224105870934491/

Los Angeles Review of Books

Join the Los Angeles Review of Books in the virtual faculty lounge for a behind-the-scenes chat about Netflix&#039;s &quot;The Chair&quot; with co-creator Annie Julia Wyman and Merve Emre, moderated by Sarah Chihaya.

<p>From&nbsp;<strong>June 27 &#8211; July 30</strong>, the Los Angeles Review of Books will host our fifth annual LARB Publishing Workshop, guiding a new cohort of students through the world of publishing with incredible speakers and hands-on training in book and magazine production. This year&#8217;s LARB Publishing Workshop Fellows will learn from 60+ leading industry professionals from all over the country including&nbsp;Nicole Counts (One World), Nicole Chung (<i>Catapult</i>), Evette Dionne (Bitch Media), Dennis Johnson (Melville House), Jennifer 8. Lee (Plympton), Ismail Muhammad (<i>New York Times Magazine</i>), Jyothi Natarajan (<i>The Margins</i>, Asian American Writers&#8217; Workshop), Niko Pfund (Oxford UP), Rebecca Saletan (Riverhead), Joshua Trannen (Duke UP), and many, many more.&nbsp;Our curriculum and program of speakers reflect LARB’s commitment to innovation, inclusivity, and independent literary production.</p>


LARB Publishing Workshop - Los Angeles Review of Books

<div class="structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium">
<h3><strong>Join the Los Angeles Review of Books on Thursday, June 24 at 5pm (PST) for a roundtable conversation with acclaimed authors and screenwriters Brandon Easton, Walter Mosley, &amp; Paula Yoo, moderated by journalist and author Janice Rhoshalle Littlejohn. </strong></h3>
<h3><strong>This event is free and open to the public.</strong></h3>
<p>&nbsp;</p>
</div>
<div class="structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium">
<p>If it is within your means, however, we invite you to support our public programming here at the Los Angeles Review of Books, a 501(c)(3) literary and cultural arts nonprofit, by making a donation with your RSVP today.</p>
<p>&nbsp;</p>
<h3>Suggested Donations $5 &#8211; $25+</h3>
<p>&nbsp;</p>
<p><strong>Donate $5+</strong> and receive <strong>LARB&#8217;s </strong><em><strong>Best of TV</strong></em>, a beautiful, curated selection of the best essays and TV criticism published by the Los Angeles Review of Books, as a digital download.</p>
<p>&nbsp;</p>
<p><strong>Donate $25+ </strong>and receive your choice of limited edition <a href="https://larbbooks.org/shop/merch/" target="_blank" rel="nofollow noopener noreferrer"><strong>LARB tote</strong></a> AND <strong>LARB&#8217;s</strong> <em><strong>Best of TV</strong></em>, a beautiful, curated selection of the best television criticism and essays published by the Los Angeles Review of Books, as a digital download.</p>
<p>&nbsp;</p>
<p><strong>For more information about the event, contact Irene (irene[at]lareviewofbooks.org).</strong></p>
<p>&nbsp;</p>
</div>
<div class="structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium">
<h2>THE SPEAKERS</h2>
<p><strong>Brandon Easton</strong> broke into television writing with the Warner Bros. Animation 2011 reboot of <em>Thundercats</em> and <em>Transformers: Rescue Bots</em>. His original graphic novel <em>Shadowlaw</em> won the 2013 Glyph Award for Best Writer. He won five 2014 Glyph Awards and was nominated for an Eisner Award for his African-American inspired <em>Watson and Holmes</em>. An alumnus of the Disney/ABC Writing Program, Brandon wrote on season two of<em> Marvel&#8217;s Agent Carter</em> and adapted the Japanese horror franchise <em>Vampire Hunter D</em> for TV. He has written on a variety of recent and upcoming graphic novels including <em>Judge Dredd: False Witness, Marvel Action Spider-Man, Transformers: Galaxies, </em>and the hit Netflix TV series <em>Transformers</em> – <em>War for Cybertron: Siege</em>. Brandon currently writes DC Comics’ <em>Mister Miracle: The Source of Freedom </em>and is on the Blizzard Entertainment writing team.<a href="https://twitter.com/BrandonEaston" target="_blank" rel="nofollow noopener noreferrer"><strong> Twitter </strong></a><strong>| </strong><a href="https://www.instagram.com/brandoneastonwriter/" target="_blank" rel="nofollow noopener noreferrer"><strong>Instagram</strong></a></p>
<p>&nbsp;</p>
<p><strong>Walter Mosley</strong> is the author of more than sixty critically acclaimed books of fiction, nonfiction, memoir, and plays. His work has been translated into twenty-five languages. From the first novel he published, <em>Devil in a Blue Dress</em> and its protagonist Easy Rawlins, Mosley’s work has explored the lives of Black men and women in America—past, present and future—in a rich exploration of genre. He has had several of his books adapted for film and television including <em>Devil in a Blue Dress </em>and <em>Always Outnumbered, Always Outgunned</em>. His short fiction and nonfiction essays have been published in a wide range of outlets including T<em>he New York Times, Los Angeles Times</em>, and <em>The Nation</em>. He is also a writer and an executive producer on the John Singleton FX drama series, “Snowfall.” <a href="http://www.waltermosley.com/" target="_blank" rel="nofollow noopener noreferrer"><strong>Website</strong></a></p>
<p>&nbsp;</p>
<p data-key="221" data-slate-fragment="%7B%22object%22%3A%22document%22%2C%22data%22%3A%7B%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22className%22%3Anull%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Paula%20Yoo%20%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22is%20an%20award-winning%20children%E2%80%99s%20book%20%26%20YA%20author%2C%20screenwriter%2C%20and%20musician.%20Her%20latest%20book%2C%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22From%20a%20Whisper%20to%20a%20Rallying%20Cry%3A%20The%20Killing%20of%20Vincent%20Chin%20and%20the%20Trial%20that%20Galvanized%20the%20Asian%20American%20Movement%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20(Norton%20Young%20Readers%2FW.W.%20Norton%20%26%20Co.)%2C%20a%20Junior%20Library%20Guild%20Gold%20Standard%2C%20received%20five%20starred%20reviews%20from%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Kirkus%20Reviews%2C%20Booklist%2C%20Horn%20Book%2C%20Publishers%20Weekly%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20and%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20School%20Library%20Journal%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22.%20She%20has%20sold%20pilots%20and%20features%2C%20and%20her%20TV%20credits%20include%20NBC%E2%80%99s%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22The%20West%20Wing%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%2C%20SyFy%E2%80%99s%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Eureka%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%2C%20Amazon%E2%80%99s%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Mozart%20in%20the%20Jungle%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%2C%20and%20The%20CW%E2%80%99s%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Supergirl%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22.%20She%20is%20also%20a%20former%20journalist%20for%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22The%20Seattle%20Times%2C%20The%20Detroit%20News%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%2C%20and%20%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22PEOPLE%20Magazine%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22italic%22%2C%22data%22%3A%7B%7D%7D%5D%7D%2C%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22.%20When%20she%E2%80%99s%20not%20writing%2C%20Paula%20is%20a%20professional%20violinist%20who%20has%20played%20and%20toured%20with%20orchestras%20and%20such%20national%20recording%20acts%20as%20No%20Doubt%2C%20Il%20Divo%2C%20and%20Love.%20%22%2C%22marks%22%3A%5B%5D%7D%5D%7D%2C%7B%22object%22%3A%22inline%22%2C%22type%22%3A%22link%22%2C%22data%22%3A%7B%22className%22%3Anull%2C%22href%22%3A%22https%3A%2F%2Fpaulayoo.com%22%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Website%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20%7C%20%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22inline%22%2C%22type%22%3A%22link%22%2C%22data%22%3A%7B%22className%22%3Anull%2C%22href%22%3A%22https%3A%2F%2Ftwitter.com%2Fpaulayoo%22%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Twitter%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20%7C%20%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22inline%22%2C%22type%22%3A%22link%22%2C%22data%22%3A%7B%22className%22%3Anull%2C%22href%22%3A%22https%3A%2F%2Fwww.instagram.com%2Fpaulayoo%2F%22%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22Instagram%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%20%7C%20%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22inline%22%2C%22type%22%3A%22link%22%2C%22data%22%3A%7B%22className%22%3Anull%2C%22href%22%3A%22https%3A%2F%2Fwwnorton.com%2Fbooks%2F9781324002871%22%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22YouTube%22%2C%22marks%22%3A%5B%7B%22object%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%5D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%5D%7D%5D%7D%5D%7D%2C%7B%22object%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22className%22%3Anull%7D%2C%22nodes%22%3A%5B%7B%22object%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22object%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%5D%7D%5D%7D%5D%7D%5D%7D"><span data-key="222"><strong data-slate-leaf="true">Paula Yoo </strong>is an award-winning children’s book &amp; YA author, screenwriter, and musician. Her latest book, <em data-slate-leaf="true">From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial that Galvanized the Asian American Movement</em>(Norton Young Readers/W.W. Norton &amp; Co.), a Junior Library Guild Gold Standard, received five starred reviews from <em data-slate-leaf="true">Kirkus Reviews, Booklist, Horn Book, Publishers Weekly</em> and<em data-slate-leaf="true"> School Library Journal</em>. She has sold pilots and features, and her TV credits include NBC’s <em data-slate-leaf="true">The West Wing</em>, SyFy’s <em data-slate-leaf="true">Eureka</em>, Amazon’s <em data-slate-leaf="true">Mozart in the Jungle</em>, and The CW’s <em data-slate-leaf="true">Supergirl</em>. She is also a former journalist for <em data-slate-leaf="true">The Seattle Times, The Detroit News</em>, and <em data-slate-leaf="true">PEOPLE Magazine</em>. When she’s not writing, Paula is a professional violinist who has played and toured with orchestras and such national recording acts as No Doubt, Il Divo, and Love</span>. <a href="https://paulayoo.com/" target="_blank" rel="nofollow noopener noreferrer"><strong>Website</strong></a><strong> | </strong><a href="https://twitter.com/paulayoo" target="_blank" rel="nofollow noopener noreferrer"><strong>Twitter</strong></a><strong> | </strong><a href="https://www.instagram.com/paulayoo/" target="_blank" rel="nofollow noopener noreferrer"><strong>Instagram</strong></a><strong> | </strong><a href="https://wwnorton.com/books/9781324002871" target="_blank" rel="nofollow noopener noreferrer"><strong>YouTube</strong></a></p>
<p>&nbsp;</p>
<p><strong>Janice Rhoshalle Littlejohn </strong>is a journalist, essayist and co-author of <em>Swirling: How to Date, Mate, and Relate Mixing Race, Culture, and Creed</em> (Atria/Simon &amp; Schuster). She is currently developing a novel based on characters from her screenplay, <em>Those People: A Love Story</em>, and writing stories for a forthcoming memoir chronicling life, love, and rediscovery during menopause. Janice is the former Senior Editor of Women, Culture and Media for the <em>Los Angeles Review of Books</em>, and writes for<em> Ms. Magazine</em>, Shondaland Digital Media, among other publications. She works at the University of Southern California as Associate Director for the Los Angeles Institute for the Humanities. <a href="https://janicelittlejohn.com/" target="_blank" rel="nofollow noopener noreferrer"><strong>Website</strong> </a>| <a href="https://www.instagram.com/janicerhoshalle/" target="_blank" rel="nofollow noopener noreferrer"><strong>Instagram</strong></a> | <a href="https://twitter.com/JaniceRhoshalle" target="_blank" rel="nofollow noopener noreferrer"><strong>Twitter</strong></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>JOIN THE CONVERSATION THURSDAY, JUNE 24, 5:00 PM PT via Zoom</strong></p>
</div>


(Screen)Writing Against Type - Los Angeles Review of Books

<p>Join <a href="https://www.skylightbooks.com/event/larb-and-skylight-present-kiese-laymon-conversation">Skylight Books</a> and the Los Angeles Review of Books for a panel with Kiese Laymon in celebration of the re-issue of his acclaimed novel <em>Long Division.&nbsp;</em>The panel features <strong>Aisha Sabatini Sloan, Brandon Taylor and Dana Johnson!</strong></p>
<p>&nbsp;</p>
<p><em><strong>Long Division</strong></em> (Scribner)</p>
<p>Written in a voice that’s alternately humorous, lacerating, and wise, <em>Long Division</em> features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called <em>Long Division</em>. He learns that one of the book’s main characters is also named City Coldson—but <em>Long Division</em> is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called&#8230;Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (<em>Publishers Weekly</em>), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (<em>The</em>&nbsp;<em>Wall Street Journal</em>).</p>
<p>&nbsp;</p>
<p>Born and raised in Jackson, Mississippi, <strong>Kiese Laymon</strong>, Ottilie Schillig Professor in English and Creative Writing and the University of Mississippi, is the author of the novel <em>Long Division,&nbsp;</em>the memoir <em>Heavy</em>, and the essay collection <em>How to Slowly Kill Yourself and Others in America</em>.</p>


Celebration of Kiese Laymon's Long Division - Los Angeles Review of Books

/event/celebration-of-kiese-laymons-long-division/

Celebration of Kiese Laymon&#039;s Long Division - Los Angeles Review of Books

<p><em>Join us for the launch of J.L. Torres’&nbsp;<a href="https://larbbooks.org/product/migrations/" target="_blank" rel="noopener noreferrer">Migrations</a>, winner of the inaugural Tomás Rivera Book Prize, presented in partnership between the </em><em>Los Angeles Review of Books</em><em>&nbsp;and </em><em><a href="https://www.ucr.edu/" target="_blank" rel="noopener noreferrer">UC Riverside</a></em><em>. The inaugural prize was judged by best-selling author Luis Alberto Urrea.</em></p>
<p>Tuesday, June 1 at 12 pm &#8211; 1 pm PT<br />
via <a href="https://www.crowdcast.io/e/tg96djd8/register">Crowdcast</a></p>
<p>Pre-order <em>Migrations</em> through <a href="https://larbbooks.org/product/migrations/" target="_blank" rel="noopener noreferrer">LARB Books.</a></p>
<p>&nbsp;</p>
<p>ABOUT THE TOMÁS RIVERA BOOK PRIZE</p>
<p>The Tomás Rivera Book Prize is a unique partnership between the Los Angeles Review of Books and UC Riverside. Open to any author writing in English about the Chicanx/Latinx experience, the Rivera Book Prize is committed to the discovery and fostering of extraordinary writing by a first-time or early career author whose work examines the long and varied contributions of Chicanx/Latinx in the US. The Rivera Book Prize aims to provide a platform that showcases the emerging literary talent of the Chicanx/Latinx community, to cultivate the next generation of Chicanx/Latinx writers, and to continue the rich literary memory of Tomás Rivera, Chicano author, poet, activist, and educator. Known for his seminal collection of stories, …and the Earth Did Not Devour Him, Rivera was the first Latino Chancellor of the UC system and a champion of higher education and social justice. The Rivera Book Prize honors his legacy and his belief in the power of education, activism, and stories to change lives.</p>


Migrations Book Launch with J.L. Torres & Luis Alberto Urrea - Los Angeles Review of Books

Join us for the launch of J.L. Torres’ Migrations, winner of the inaugural Tomás Rivera Book Prize, presented in partnership between the Los Angeles Review of Books and UC Riverside. The inaugural prize was judged by best-selling author Luis Alberto Urrea.Pre-order Migrations through LARB Books.

Migrations Book Launch with J.L. Torres &amp; Luis Alberto Urrea - Los Angeles Review of Books

Carribean Fragoza in Conversation with Myriam Gurba - Los Angeles Review of Books

The daughter of Mexican immigrants, Carribean Fragoza was raised in South El Monte, California. After graduating from UCLA, Fragoza completed the Creative Writing MFA Program at CalArts, where she worked with writers Douglas Kearney and Norman Klein. Fragoza is founder of Vicious Ladies, a new website publishing womxn, queer, and non-binary critics of color. She co-edits UC […]

/event/carribean-fragoza-in-conversation-with-myriam-gurba/

twitter:label1

twitter:data1

<div>
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="" dir="auto">
<div class="">Join XLA Poets and the Los Angeles Review of Books for the launch of XLA POETS, a new collection from&nbsp;Hinchas Press, edited by Linda Ravenswood. It features the work of 10 Los Angeles-based BIPOC,&nbsp;LGBTQA+ women and women identifying poets writing about the city&nbsp;we love/hate/can’t live without.</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div>
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="" dir="auto">
<div class="">&nbsp;</div>
<div class="">The celebration will feature readings by contributors Lynne Thompson, Chelsea Rector, Allison Hedge Coke,&nbsp;Luivette Resto, Arminé Iknadossian, Teresa&nbsp;Mei Chuc, and Linda Ravenswood.</div>
<div class="">&nbsp;</div>
<div class="">ABOUT THE BOOK<br class="">Preorder at: <a class="" href="https://linkprotect.cudasvc.com/url?a=https%3a%2f%2fwww.hinchaspress.com%2fx-la-poets-presale&amp;c=E,1,iNDE6dq3K_OapTzh1E_6FiOQYf-YqzZ2AJQXbgNLZQ1pX5C_NnVn865ZKZLtgMAU6zM2E3uONU7U66Njhtbl-SSEWl0Y-74UFmtsDyk5FdIZDoOmXxuJK153&amp;typo=1">https://www.hinchaspress.com/x-la-poets-presale</a><br class="">Hinchas Press: <a class="" href="https://linkprotect.cudasvc.com/url?a=http%3a%2f%2fwww.Hinchaspress.com&amp;c=E,1,X1HkkwpyjeEYUdi1xu3sUWiAahWiGxrRFSBxztg7s_mnTsz4DavcL6awWpMrebmy5rKtmQT6tRvCkOkNKpXHIMbxlvpox77PvmHCC0_6Tgfgwg,,&amp;typo=1">www.Hinchaspress.com</a><br class="">Publisher: Yago Cura<br class="">Art Design: Autumn Anglin</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div>
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="">
<div class="" dir="auto">
<div class=""><br class="">The writers of XLA are — current Poet Laureate of Los Angeles Lynne&nbsp;Thompson, writer and Kohenet Rachel Kann, poet and philosopher&nbsp;Chelsea Rector, writer and educator Luivette Resto, poet and editor&nbsp;Shonda Buchanan, Poet Laureate Teresa Mei Chuc, celebrated poet&nbsp;and NDN culture worker Allison Hedge Coke, Armenian diasporic&nbsp;poet and teacher Arminé Iknadossian, poet Viva Padilla, and poet and&nbsp;performance artist Linda Ravenswood.</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>


XLA Poets Book Launch & Reading - Los Angeles Review of Books

XLA Poets Book Launch &amp; Reading - Los Angeles Review of Books

<p>The City Lights Foundation and&nbsp;the Los Angeles Review of Books Reckless Reader Program&nbsp;present the book launch for Carribean Fragoza’s <em><strong>Eat the Mouth That Feeds You</strong></em>, published by City Lights Books. She&#8217;ll be in conversation with novelist&nbsp;Héctor Tobar, author of <em>The Barbarian Nurseries</em>, who asserts that this book &#8220;will establish Fragoza as an essential and important new voice in American fiction.&#8221;</p>
<p>Carribean Fragoza&#8217;s debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. In her review for the <em>New York Times,</em> Kali Fajardo-Anstine says, &#8220;<em>Eat the Mouth That Feeds You </em>is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature.&#8221;</p>
<p>The event is free to attend, but registration&nbsp;<a href="https://www.eventbrite.com/e/carribean-fragoza-tickets-138546974731">(CLICK HERE)</a> is required.</p>


Book Launch: Carribean Fragoza in Conversation with Héctor Tobar - Los Angeles Review of Books

/event/carribean-fragoza-in-conversation-with-hector-tobar/

<p><span class="JsGRdQ"><a href="http://www.makelit.org/">MAKE Literary Productions</a>&#8216;s&nbsp;<a href="http://www.litluz.org/">Lit &amp; Luz Festival</a>&nbsp;and&nbsp;LARB present Prof. Ignacio Sánchez Prado and Lit &amp; Luz Book Club Director, Miguel Jiménez in conversation about contemporary Mexican literature. Join us to discuss the work of authors Fernanda Melchor, Valeria Luiselli, Cristina Rivera Garza, and many more. This event will be in English with Spanish translation. Free with registration.</span></p>


What do you know about Mexican Lit? with Ignacio Sánchez Prado - Los Angeles Review of Books

/event/on-new-releases-in-contemporary-mexican-literature/

<p>The Los Angeles Review of Books is pleased to announce this year&#8217;s <a href="http://thepublishingworkshop.com"><strong>LARB Publishing Workshop</strong></a>. In light of the ongoing public health risk still posed by travel and congregation, and in keeping with our commitment to accessibility, the 2021 program will be conducted virtually from <strong>June 27 &#8211; July 30</strong>. Join us for an intensive, five-week course on the foundations of print and digital publishing. Workshop Fellows work with 60+ leading industry professionals from all over the country, gaining a comprehensive understanding of how the publishing industry works and where it is heading.&nbsp;Our curriculum and program of speakers reflect LARB’s commitment to innovation, inclusivity, and independent literary production.</p>
<p>&nbsp;</p>
<p>For more information visit thepublishingworkshop.com. Applications&nbsp;close <strong>April 15th</strong>.</p>
<p>&nbsp;</p>
<p><strong>Questions?</strong>&nbsp;Contact the LARB Publishing Workshop staff at publishing workshop[at]lareviewofbooks.org.</p>


Apply to 2021 LARB Publishing Workshop - Los Angeles Review of Books

EVENTS

Events & Happenings

UPCOMING EVENTS

PAST EVENTS