How Do We Proceed with Our Own Internal Conflict?: On the Translation of Mihail Sebastian’s “For Two Thousand Years”
Julia Elsky reviews Mihail Sebastian's 1934 novel "For Two Thousand Years."...
Paving Paradise: The Beauty and Terror of Nicola Lagioia’s “Ferocity”
Deborah E. Kennedy reviews Nicola Lagioia's Strega Prize–winning novel "Ferocity."...
The Mind Plays Tricks: Memory Loss and Nostalgia in Rachel Khong’s “Goodbye, Vitamin”
Sophie Browner reviews Rachel Khong’s cheerfully absurd debut “Goodbye, Vitamin.”...
The Adventure of the Immobile Journey: On the Eduardo Lalo Novels, “Uselessness” and “Simone”
Christina Soto van der Plas on two recent novels by Puerto Rican writer Eduardo Lalo, "Uselessness" and "Simone."...
An Unflinching Take on Love and War: Charmaine Craig’s “Miss Burma”
Rosalie Metro reviews Charmaine Craig's "Miss Burma."...
Breathing New Life into Ancient Stories
Scott Lankford reviews Greg Sarris’s new collection of folktales....
Mister Kurt, He Posthumous: Vonnegut’s “Complete Stories”
Geoff Nicholson on the collected short stories of Kurt Vonnegut....
The Reader as First Interpreter: On Cristina García’s “Here in Berlin”
Michael Valinsky reviews Cristina García's novel "Here in Berlin."...
Fugue State Ensues: An Interview with Tamara Shopsin
Cypress Marrs interviews Tamara Shopsin about her latest work, “Arbitrary Stupid Goal.”...
What If Your Neighbor Were a Retired Government Torturer? Irony and the Sublime in Geoff Nicholson’s “The Miranda”
Ramsey Mathews reviews Geoff Nicholson's "The Miranda."...
The Polyphonic Stories: “Fresh Complaint” by Jeffrey Eugenides
Kevin Zambrano reviews Jeffrey Eugenides's new short story collection....
What a Punderful Word: On Joanna Walsh’s “Worlds from the Word’s End”
Adam Fales reviews Joanna Walsh's short story collection, "Worlds from the Word’s End."...
