Wanting to Turn Back Time: On Aimee Liu’s “Glorious Boy”
Elizabeth Sulis Kim reviews "Glorious Boy," the new novel from Aimee Liu....
Sitting at His Feet: On J. M. Coetzee’s “The Death of Jesus”
Will Forrester sits vigil for "The Death of Jesus," the newest novel by J. M. Coetzee....
Katherine Anne Porter’s Pandemic
Turning to Katherine Anne Porter's "Pale Horse, Pale Rider" to make sense of COVID-19....
Seeing the President Naked: On Curtis Sittenfeld’s “Rodham”
What if Hillary never married Bill? What if she was elected president?...
Circling Back to My Failures and Errata: Kate Zambreno’s “Drifts”
Andrew Schenker gets caught in “Drifts,” the new novel from Kate Zambreno....
“Ah the Old Questions, the Old Answers”: Losing to Win in Samuel Beckett’s “Endgame”
Robert Zaretsky moves through Samuel Beckett’s “Endgame” as the pandemic takes its course....
Diversity and Hierarchy: On Graciliano Ramos’s “São Bernardo”
Arthur Ivan Bravo visits “São Bernardo,” the recently re-translated novel by Graciliano Ramos....
Sleight of Hand: On Meena Kandasamy’s “When I Hit You” and “Exquisite Cadavers”
Stephanie Sy-Quia looks at two recent novels from Meena Kandasamy, “When I Hit You” and “Exquisite Cadavers.”...
Holy Simplicity: On Louise Erdrich’s “The Night Watchman”
Thomas J. Millay reviews Louise Erdrich's new novel, "The Night Watchman."...
“It Would Have Been an Act of Love to Shoot His Friend”: An Interview with William Lychack
Peter Trachtenberg talks to William Lychack about boys, men, the gun in the first act, and his novel “Cargill Falls.”...
On the Importance of People and Place: An Encounter with Sarah Davis-Goff
Luke Cassidy talks to writer Sarah Davis-Goff and considers her new novel, "Last Ones Left Alive."...
A Post-Existential Chronicle of Post-Industrial France: On Nicolas Mathieu’s “And Their Children After Them”
A review of "And Their Children After Them," a novel by Nicolas Mathieu translated by William Rodarmor....
