Histories of Violence: Violence to Thought
Brad Evans interviews David Theo Goldberg. A conversation in Brad Evans’s Histories of Violence series....
“Carl Broke Something”: On Carl Andre, Ana Mendieta, and the Cult of the Male Genius
Maya Gurantz reflects on Carl Andre, Ana Mendieta, and the cult of the male genius in contemporary art....
The Kitsch Gazes Back: Jeff Koons and Damien Hirst Return
The return of neo-Pop provocateurs Jeff Koons and Damien Hirst....
Lunch and Other Distractions: On Susan Bright’s Pictorial History of Food Photography
Geoff Nicholson savors Susan Bright's "Feast for the Eyes: The Story of Food in Photography."...
Holding Up the Torch: Walter Hopps and the World of Art
Scott Timberg interviews “The New Yorker” editor Deborah Treisman about “The Dream Colony,” an oral autobiography by legendary curator Walter Hopps....
The New Normal: On Dissidence, Apology, and Transcendence in Contemporary Chinese Art
Henry Zhang on “The New Normal: China, Art, and 2017,” at Beijing's Ullens Center of Contemporary Art (UCCA)....
Histories of Violence: Landscapes of Violence
Brad Evans speaks with John Akomfrah. A conversation in Brad Evans’s “Histories of Violence” series....
Open the Pod Bay Doors
Tom Zoellner talks to Simon Birch about his new exhibition, "The 14th Factory."...
Flyover Utopia: On Keith Krumwiede’s “Atlas of Another America”
Mimi Zeiger examines “Atlas of Another America: An Architectural Fiction” by Keith Krumwiede....
Endless Houses or Vast Potatoes? The Impossible Architecture of Frederick Kiesler
Sophie Duvernoy on Stephen J. Phillips’s “Elastic Architecture.”...
The Soul of the Body: William Empson’s “The Face of the Buddha”
David Auerbach on William Empson’s “The Face of the Buddha.”...
Who Has the Right to Move?: On “It is obvious from the map”
Peggy Kamuf ponders “It is obvious from the map,” an exhibit on migration at REDCAT....
