Bryan A. Garner considers "What’s Your Pronoun?," the recently published book by Dennis Baron....

Samuel Clowes Huneke reviews Tiffany Florvil’s “Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement.”...

Sasha Dovzhyk celebrates the radical feminism of the great Ukrainian poet Lesya Ukrainka on the 150th anniversary of her birth....

A searing French memoir gives voice to a victim of sexual abuse, and provokes a crisis of conscience in the country....

Simone de Beauvoir’s advice to the lovelorn....

Rediscovering the lost lithography of Alice Mary Chambers....

Hannah Kofman reckons with “The Copenhagen Trilogy,” the recently translated memoir by Tove Ditlevsen....

America’s signature women’s pageant changes –– slowly –– with the rest of the country....

Laura Maw considers the role of daughterhood in contemporary horror cinema, focusing in particular on the 2020 film “Relic.”...

Theadora Walsh reviews “Women in Concrete Poetry 1959–1979,” edited by Alex Balgiu and Mónica de la Torre....

Sarah Fonseca on how Abigail Shrier's trolling interpretation of the United States Constitution threatens to put millions of kids’ lives in jeopardy....

Evan Pheiffer offers a portrait of his grandmother, Jayne, whose life spanned a tumultuous century....

Kyle Turner talks to Michael Breslin, Patrick Foley, Ariel Sibert, the creators behind "Circle Jerk."...

Michael M. Weinstein looks at Sharon Liese’s new HBO documentary, “Transhood,” which explores the lives of children living beyond the gender binary....

As a young woman, I fell in love with a man who owned a machete. He terrorized me for over a year. I have no doubt he would have killed me if I had stayed....

Michael Nava reviews Mark Gevisser’s “The Pink Line,” a study of LGBTQ struggles for civil rights across the world....

The new film “Enola Holmes” illustrates a cultural shift in how girlhood is conceptualized and understood....