Trivial, Vulgar, and Exalted: Revisiting J. V. Cunningham’s “The Exclusions of a Rhyme”
Paul Pastor reviews a new edition of J. V. Cunningham’s collection of poems and epigrams, “The Exclusions of a Rhyme.”
Paul Pastor reviews a new edition of J. V. Cunningham’s collection of poems and epigrams, “The Exclusions of a Rhyme.”
Roslyn Fuller reviews Jedediah S. Purdy‘s “Two Cheers for Politics: Why Democracy Is Flawed, Frightening ― and Our Best Hope.”
On its 75th anniversary, Jason Resnikoff revisits the World War II documentary “Thunderbolt” and how it captures the relationship between filmmaking and war-making.
Grégory Pierrot talks with Esther Armah about her project of “Emotional Justice.”
Aynne Kokas reviews two recent books about the intersection of China and Hollywood: Ying Zhu’s “Hollywood in China: Behind the Scenes of the World’s Largest Movie Market” and Daryl Joji Maeda’s “Like Water: A Cultural History of Bruce Lee.”
A series made up of conversations between Julien Crockett and those who dictate, think deeply about, and seek to bend or break the rules we live by.
Kate Tsurkan speaks with Ihor Pomerantsev about the literary vitality of Ukraine and the value of poetry during wartime.
Chelsea Jack Fitzgerald reviews Elspeth Barker’s “O Caledonia,” a Scottish noir interested in the connections between different types of anthropogenic damage.
Los Angeles booksellers let us know their favorite books that they read in 2022.
Patrick Kurp appreciates the humility and plain speech of James Matthew Wilson’s poetic chronicle of the pandemic in “The Strangeness of the Good.”
Joani Etskovitz explores the genres at play — from astronomy and mythology to self-help and romance — in Dr. Moiya McTier’s “The Milky Way: An Autobiography of Our Galaxy.”
Luke Warde reviews Keiron Pim’s new biography “Endless Flight: The Life of Joseph Roth.”
Writer and curator Jordan Stein joins Kate Wolf to discuss his book “Rip Tales: Jay DeFeo’s Estocada and Other Pieces.”
Janna Brancolini discusses the dynamic relationship between restrictive Italian gender roles, Italy’s biggest literary prize, and the nation's history of women writers, who have rarely won it.
Cory Oldweiler reviews Alisa Ganieva’s 2018 novel “Offended Sensibilities,” translated from the Russian by Carol Apollonio.
Nate Brown talks with Barbara Bourland about her new novel “The Force of Such Beauty.”