Utopia Is Not a State; It Is a Compass: On Patrick Nathan’s “The Future Was Color”
Alina Stefanescu reviews Patrick Nathan’s “The Future Was Color” …
"Mere flim-flam stories, and nothing but shams and lies." — Miguel de Cervantes
Alina Stefanescu reviews Patrick Nathan’s “The Future Was Color” …
Alina StefanescuJun 19
Jason Christian visits George Orwell’s birthplace in India.
Jason ChristianJan 21
Gary Edward Holcomb considers the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
Gary Edward HolcombSep 11, 2023
Apoorva Tadepalli reviews Marguerite Duras’s “The Easy Life.”
Apoorva TadepalliJan 17, 2023
Dan Sinykin breaks down the Post45 Data Collective set on literary awards compiled by Stephanie Young and Juliana Spahr.
Dan SinykinJan 9, 2023
Janna Brancolini discusses the dynamic relationship between restrictive Italian gender roles, Italy’s biggest literary prize, and the nation's...
Janna BrancoliniDec 23, 2022
Erica Heller on coming to forgive her novelist father, Joseph, for their “fractious, doomed, exhausting relationship.”
Erica HellerDec 19, 2022
Mona Kareem talks with Akil Kumarasamy about her new novel, “Meet Us by the Roaring Sea.”
Mona KareemDec 18, 2022
Matthew Stadler recalls his friend James Purdy via Michael Snyder’s new biography of the novelist, playwright, and poet, “James Purdy: Life of a...
Matthew StadlerDec 3, 2022
Ben Hooyman reviews Mircea Cărtărescu’s “Solenoid.”
Ben HooymanNov 27, 2022
John Havard reviews Andrew Sean Greer’s new novel “Less Is Lost.”
John HavardNov 14, 2022
Jenny Wu reviews Li Zi Shu’s “The Age of Goodbyes,” translated by YZ Chin.
Jenny WuNov 10, 2022