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Tess Taylor’s ‘Three Notebooks’
Tess Taylor captures fragments of dream text, blank invitations, and stored receipts, in a poem from LARB Quarterly no. 47, ‘Security.’
Archive
Root Work
Alexis Pauline Gumbs interviews Jason Allen-Paisant about his new memoir.
Anna Journey’s ‘I Object to the Etymology of Sacrum’
Anna Journey writes on the ‘site of infernal nerve spark and spasm,’ in a poem from LARB Quarterly no. 47, ‘Security.’
We Are Close, We Are Almost There
Zachary Gillan reflects on Jeffrey Ford’s ‘Well-Built City Trilogy’ in the era of resurgent fascism.
Two Poems by Dalia Taha
Dalia Taha writes on Palestine and the messages etched into the land, in two poems from LARB Quarterly no. 47, ‘Security,’ translated by Sara Elkamel.
Designing Feminism or Fascism?
Harley Wong on fashion designer Dilara Findikoglu’s ‘Cage of Innocence’ presentation in light of Edith Wharton’s fiction.
Rhoni Blankenhorn’s ‘Mirror’
Rhoni Blankenhorn confronts her changing self, in a poem from LARB Quarterly no. 47, ‘Security.’
Mug Shot Matriarchy
Jake Flanagin examines how reality TV juggernaut Bravo and its ‘Real Housewives’ spin criminality into character development—and ratings gold.
Fantastical Transcendence and the Magic of Resistance
Ruth Joffre digs into a new anthology of speculative writing about resistance, edited by Karen Lord, Annalee Newitz, and Malka Older.
Until My People Are Free
Diba Mohtasham speaks with pop star Faegheh Atashin, a.k.a. Googoosh, about her new memoir.
Everybody Loves a Lover
Janna Jones writes about the history and resonances of ‘Love Tapes,’ Wendy Clarke’s 1980s video project.
Special Show: Jenny Slate and Sarah Manguso
Made in America
Josh Safdie’s “Marty Supreme” and the mythmaking around a monoculture masterpiece.
Paint, Personae, and the Mysteries of (Not) Making It
Jeff Stimmel considers the art and tumultuous life of Chuck Connelly.
Cowardice
In a story from LARB Quarterly no. 47: “Security,” Hannah Liberman’s narrator—who has a “lemon-sized” tumor in her throat—faces a possible cancer diagnosis that forces her to confront her memories, relationships, and losses.
God Bites the Dust
Scott Bradfield interviews S. T. Joshi about the second volume of “The Downfall of God.”
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