Ha Ha. Sob Sob.
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Reviews
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
On Brenda Navarro’s novel ‘Eating Ashes,’ newly translated by Megan McDowell.
In Elisa Shua Dusapin’s novel ‘The Old Fire,’ newly translated by Aneesa Abbas Higgins, two sisters must find a way to communicate without words.
Dean Rader considers César Vallejo’s ‘The Eternal Dice: Selected Poems,’ recently translated by Margaret Jull Costa.
Larry Wolff attends the October 2025 Parma Verdi Festival to write about ‘Macbeth,’ ‘Otello,’ and ‘Falstaff.’
Jimin Kang reviews Karen Cheung’s “The Impossible City: A Hong Kong Memoir.”
Dinah Brooke’s 1971 debut novel ‘Love Life of a Cheltenham Lady,’ newly reissued, explores a young woman’s journey to realizing that ‘we should give up the charade’ of ‘heterosexual relationships and the bourgeois family structure.’
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
Neil Shubin’s stories of polar exploration tell us about the losses ahead.
What the ancients can teach us about cultivating a sustainable world.
Monique Wittig’s novels ‘The Lesbian Body’ and ‘Across the Acheron’ have just received new editions that reflect the feminist thinker’s ongoing cultural impact.
John Knych dissects Hiron Ennes’s ‘The Works of Vermin.’
Irene Katz Connelly argues for a new approach to witch hysteria via two recent novels, Olga Ravn’s ‘The Wax Child’ and Irene Solà’s ‘I Gave You Eyes and You Looked Toward Darkness.’
Gregg Mitman looks at the bodily damage that soldiers take home in Joshua Howe and Alexander Lemons’s ‘Warbody: A Marine Sniper and the Hidden Violence of Modern Warfare.’