An Unforgettable Miscarriage of Justice
Laurie Levenson reviews Ronald Collins’s “Tragedy on Trial: The Story of the Infamous Emmett Till Murder Trial.”
Laurie Levenson reviews Ronald Collins’s “Tragedy on Trial: The Story of the Infamous Emmett Till Murder Trial.”
Rachel Dec reviews Kyla Scanlon’s “In This Economy? How Money and Markets Really Work.”
Thomas Chen reviews Margaret Hillenbrand’s “On the Edge: Feeling Precarious in China.”
Tosten Burks watches Photay and Celia Hollander throw caution to “The Wind” at Fairfax’s Brain Dead Studios.
Eric Newman speaks with author Nell Irvin Painter about her latest collection of essays, “I Just Keep Talking.”
Jenny Boyar writes about her midlife rediscovery of singer-songwriter Natalie Merchant.
Kate Sadoff reviews Jonathan Vigliotti’s “Before It’s Gone: Stories from the Front Lines of Climate Change in Small-Town America.”
Brittany Menjivar attends Boardner’s goth club in Hollywood and finds that she’s in parties. It’s in the can!
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Wendi Bootes examines the contradictory nature of facts through an assessment of Soviet factography, in an excerpt from LARB Quarterly no. 41, “Truth...
Hannah Bonner connects Kōhei Saitō’s book “Slow Down: The Degrowth Manifesto” to Sara Sowell’s short film “Color Negative” by way of the Kardashians.
Matthew Longo reflects on the surreal experience of the DMZ, where borders create both division and unity.
Hannah Sage Kay reviews David K. Seitz’s “A Different Trek: Radical Geographies of ‘Deep Space Nine.’”
Randall Mann interviews Christian Gullette about "Coachella Elegy."
At the Lucy Bull opening’s after-party, Eli Diner assesses the state of criticism, L.A. art, and the ridiculous way collectors are treated.