Biography of a Corrupted Court
Lisa Graves’s new exposé of Chief Justice John Roberts deconstructs the right-wing takeover of the Supreme Court.
Lisa Graves’s new exposé of Chief Justice John Roberts deconstructs the right-wing takeover of the Supreme Court.
Diamond Forde’s poetry communes with her grandmother Alice’s interior universe, reflecting ‘a dance between two bodies, alive together despite a generation between them.’
Co-curator of MOCA's Monuments exhibit Hamza Walker and Senga Nengudi join the podcast to talk about their respective art projects, history, and more.
Was Nevada Democrat Harry Reid truly a master of the Senate, or at least a game changer, as Jon Ralston’s new biography argues?
The author of ‘Paul Landacre: California Hills, Hollywood and the World Beyond’ underscores the universality of the artist’s engraved landscapes and refutes a critic’s claims that Landacre participated in racism associated with Americans’ westward expansion.
Brooke N. Newman’s ‘The Crown’s Silence’ dives into the long history of transatlantic atrocities committed by Charles III’s ancestors in the name of empire.
An exhibition inspired by John Berger asks us to reconsider human-animal relations.
What’s familiar and what’s new about our current fascination with the figure and the mystery of the nun, from Rosalía to self-help books.
George Saunders’s latest ghost story, ‘Vigil,’ is a fanciful, tedious megaphone for its author, rather than for its characters.
Devon Halliday on the lure of reality TV in Stephen Fishbach’s novel ‘Escape!’
Madeline Cash talks with Hannah Tishkoff about how her upbringing in the Valley shaped her debut novel ‘Lost Lambs.’
Radu Jude’s ‘Dracula’ shines sunlight on the vampirism of cinematic AI and the ways studios have bled the vampire IP dry.
Losing home and rebuilding, reluctantly, in the year after Los Angeles’s Eaton Fire.
Julian Brave NoiseCat discusses ‘We Survived the Night,’ his genre-bending revival of the ‘Coyote epic,’ with Leila Nadir.
M. D. Usher on Paul Kingsnorth’s impassioned and flawed new manifesto against the pervasiveness of technology in modern life.
Lauren Rothery talks about her new novel "Television," the current state of Hollywood, and why she thinks television is a good metaphor for romance.