The Cancel-Culture Canard
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Mathangi Subramanian speaks to Donika Kelly about her new poetry collection, “The Natural Order of Things.”
Claire Foster reviews Claire-Louise Bennett’s “Big Kiss, Bye-Bye.”
Corinne Cordasco-Pak reviews Erica Stern’s “Frontier: A Memoir and a Ghost Story.”
Filmmaker Kelly Reichardt talks to Kate Wolf and Medaya Ocher about her new movie, “The Mastermind,” out in theaters now.
Ryan Lackey considers Damion Searls’s take on the vertiginous effects of digital life in “Analog Days.”
Tess Pollok interviews Natasha Stagg about her new novel “Grand Rapids.”
Amy R. Wong explores Nan Z. Da’s “The Chinese Tragedy of King Lear.”
Ian Kumekawa dives into Samanth Subramanian’s “The Web Beneath the Waves: The Fragile Cables That Connect Our World.”
Zachary Gillan explores Samanta Schweblin’s “Good and Evil and Other Stories,” translated by Megan McDowell.
Raphael Helfand speaks with David Leo Rice about his new novel “The Squimbop Condition.”
Douglas Dowland close-reads Dan Sinykin and Johanna Winant’s new edited volume, “Close Reading for the Twenty-First Century.”
Before you check out the new essay anthology edited by Dan Sinykin and Johanna Winant, Ben Wasson urges you to revisit Sinykin’s illuminating examination of the unsavory machinery of the po-biz.
Eric Vanderwall takes a ride with French author Mattia Filice’s debut novel “Driver,” newly translated by Jacques Houis.
Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”