The Other Secret Twist: On the Political Philosophy of The Good Place
Robin James on Kant's laundry, neoliberal hell, and the surprisingly radical political philosophy of The Good Place....
Going for Gold: The Work and Career of Brian Jordan Alvarez
Jonathan Alexander looks at the work and future of DIY internet media impresario Brian Jordan Alvarez as he looks to transition to the big screen....
More Than Sex: The Queerness of “Falling for Angels” and “Vida”
Will Clark on what critics like D.A. Miller and Tom Joudrey are missing in their critique of contemporary gay representation in film and television....
Fifty Billion Shades of Gray
"Root for the law, or root for the money? Fortunately, we don’t have to choose." Anna Kornbluh on "Billions."...
Pose(r): Ryan Murphy, Trans and Queer of Color Labor, and the Politics of Representation
Alfred Martin explores the limits of representation on FX's Pose......
When Women Dared to Talk About Sex
Jennifer Keishin Armstrong discusses the legacy of “Sex and the City.”...
The Jokes on Us: Examining the Hard Truths For Women in Television
Achieving equity in TV isn’t just about being fair — it’s about accessing new and better stories to elevate television for everyone....
New Black Gothic
Sheri-Marie Harrison on "This Is America," "Get Out," "Sing, Unburied, Sing," and the new black Gothic....
Notes from Underground: WGN’s Black-Cast Quality TV Experiment
How did “Underground” become a test case for black-cast quality TV? And how does its failure show us the way the industry associates blackness with risk?...
Fury, Kitten, Dude: On Crazy Ex-Girlfriend
Lili Loofbourow and Irene Yoon check in with Crazy Ex-Girlfriend at the off-kilter end of its third season!...
Framing Our World: On Vanda Krefft’s “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox”
Dan Friedman unreels “The Man Who Made the Movies,” a biography of William Fox by Vanda Krefft....
Dwelling in the Upside Down: On “Stranger Things 2”
"Stranger Things 2" feels less like a tribute to old films, less nostalgic, and more a cautionary historical fiction focused sharply on the near future....
