Franny’s Papers
What was lost when Claire Douglas’s archive burned.
What was lost when Claire Douglas’s archive burned.
In 2025, television offered a primer in principled dissent.
New books by Dan Wang and Hu Anyan depict ‘both the achievements and the costs of China’s technological rise,’ and why Americans should take note.
The third installment of ‘The Biden Years On-Screen’ considers the cinematic fallout of cancel culture, the overruling of Roe v. Wade, and the 2022 midterm elections.
On Brenda Navarro’s novel ‘Eating Ashes,’ newly translated by Megan McDowell.
In Elisa Shua Dusapin’s novel ‘The Old Fire,’ newly translated by Aneesa Abbas Higgins, two sisters must find a way to communicate without words.
Aran Ward Sell reconsiders the legacy and complex overlapping ‘failures’ of Mervyn Peake’s final novel, ‘Titus Alone.’
Dean Rader considers César Vallejo’s ‘The Eternal Dice: Selected Poems,’ recently translated by Margaret Jull Costa.
On America’s runaway Story Drive.
Larry Wolff attends the October 2025 Parma Verdi Festival to write about ‘Macbeth,’ ‘Otello,’ and ‘Falstaff.’
Dinah Brooke’s 1971 debut novel ‘Love Life of a Cheltenham Lady,’ newly reissued, explores a young woman’s journey to realizing that ‘we should give up the charade’ of ‘heterosexual relationships and the bourgeois family structure.’
Caroline Fraser talks about her new book Murderland, which takes an ecological lens to serial killers, and finds a connection between PNW plants and killers like Ted Bundy
Tracing the California lineage of Charles Bukowski’s publisher, Black Sparrow Press, and its passionate founder, John Martin.
Maria Pinto finds climate futures hidden among wild mushrooms.
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
On László Krasznahorkai’s sentences and what they require of us.