Lily Meyer on the hard work of translators and editors that brings international literature to English-language readers....

Paul Vangelisti appreciates the poetic voyages in Kyle Harvey’s “Cosmographies” and Dolores Dorantes’s “Copy,” translated by Robin Myers....

Raffi Joe Wartanian reviews new books by two Armenian American writers, Shahé Mankerian and Vahe Berberian....

Bhakti Shringarpure speaks with Kenyan novelist Yvonne Adhiambo Owuor about the richness of East African writing and history....

Afghan author Homeira Qaderi on the sorry fate of literature under the Taliban regime....

Cory Oldweiler reviews Hungarian author Gábor Vida’s autofictional novel “Story of a Stammer,” translated by Jozefina Komporaly....

Masiyaleti Mbewe on the rich range (and critical neglect) of millennial fiction in Africa....

Sana Goyal talks with Dur e Aziz Amna about her debut novel, “American Fever.”...

John Beck on the villagers who were the Ukrainian army’s eyes during the opening weeks of the Russian invasion....

Juan Camilo Velásquez analyzes how Apichatpong Weerasethakul’s “Memoria” constructs the space of Bogotá....

Tom Teicholz reviews Jerry Stahl’s new memoir “Nein, Nein, Nein! One Man’s Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust.”...

Sibelan Forrester reviews Judita Šalgo’s novel “The Road to Birobidzhan,” translated by John K. Cox....

Marcus McGee contextualizes Fernanda Melchor’s “Paradais,” translated by Sophie Hughes....

Ed Pulford considers Katie Stallard’s “Dancing on Bones” and Joseph W. Esherick’s “Accidental Holy Land.”...

Eric Newman on Édouard Louis's "A Woman’s Battles and Transformations."...

Tara Cheesman reviews Javier Cercas’s “Even the Darkest Night,” translated by Anne McLean, in which the Spanish author introduces readers to detective Melchor Marín....

Yangyang Cheng reviews Ruth Rogaski’s “Knowing Manchuria: Environments, the Senses, and Natural Knowledge on an Asian Borderland” and Victor Seow’s “Carbon Technocracy: Energy Regimes in Modern East Asia.”...