Ugly Cats and the Loneliness of Man
Lauren Collee reflects on the history of pet photography, cat memes, and cute animal rage.
Lauren Collee reflects on the history of pet photography, cat memes, and cute animal rage.
Matthew K. Ritchie draws parallels between Mohsin Hamid’s “The Last White Man” and “Black No More,” George Schuyler’s satire from 1931.
Stephen Akey discusses aspiring writers and the myth of “failure.”
On its 75th anniversary, Jason Resnikoff revisits the World War II documentary “Thunderbolt” and how it captures the relationship between filmmaking and war-making.
Janna Brancolini discusses the dynamic relationship between restrictive Italian gender roles, Italy’s biggest literary prize, and the nation's history of women writers, who have rarely won it.
R. Colin Tait discusses Michael Schulman’s profile of Jeremy Strong.
Hollis Robbins examines the legend of Phillis Wheatley, the first African American published poet.
Erica Heller on coming to forgive her novelist father, Joseph, for their “fractious, doomed, exhausting relationship.”
J. D. Connor analyzes how cultural shifts in the relationship between movies and money made James Cameron’s initial record-breaking blockbuster “Avatar” somewhat forgettable while the Disney marketing machine is now going to try to reinvent the franchise
How do we call out injustice and its perpetrators? How do we pave a way toward healing a fractured country? This book analyzes progressive movements in the age of extreme polarization in an attempt to answer those questions. Check out our Winter 2023 pick for the LARB Book Club: “The Persuaders” by Anand Giridharadas.
Michael Wolfe appreciates his slice of Los Angeles.
Brian Jacobson gives historical and cultural context to the “Sight & Sound” Best Of poll.
Dan Callahan analyzes the unique screen presence of actress Judy Davis, most recently starring in the film “Nitram.”
Brad Evans reflects on his long-running LARB column, “Histories of Violence.“
Mariam Gomaa reflects on the intertwining characteristics of health, surgery, religion, and philosophy.
Isabelle Lang and Laura Valenza revisit the 1990s feminist revenge plot and its bearing on today’s domestic violence laws.