The Long Breath of the World
On László Krasznahorkai’s sentences and what they require of us.
On László Krasznahorkai’s sentences and what they require of us.
In the 11th essay in the Legacies of Eugenics series, Michael Rossi shows how American scientists and artists used their discovery of racial ‘types’ to buttress eugenicist notions of aesthetic taste.
LARB presents an excerpt from Gayle Feldman’s forthcoming biography of Bennett Cerf, the legendary American publisher.
Andrew Holter revisits ‘The California Reich’ 50 years on and considers the legacy of the neo-Nazi documentary.
Drew Bratcher meditates on the legacy of a country music legend.
Jodie Hollander describes the imprisonment of fame, in a poem from LARB Quarterly no. 47, ‘Security.’
Tess Taylor captures fragments of dream text, blank invitations, and stored receipts, in a poem from LARB Quarterly no. 47, ‘Security.’
Anna Journey writes on the ‘site of infernal nerve spark and spasm,’ in a poem from LARB Quarterly no. 47, ‘Security.’
Zachary Gillan reflects on Jeffrey Ford’s ‘Well-Built City Trilogy’ in the era of resurgent fascism.
Dalia Taha writes on Palestine and the messages etched into the land, in two poems from LARB Quarterly no. 47, ‘Security,’ translated by Sara Elkamel.
Harley Wong on fashion designer Dilara Findikoglu’s ‘Cage of Innocence’ presentation in light of Edith Wharton’s fiction.
Rhoni Blankenhorn confronts her changing self, in a poem from LARB Quarterly no. 47, ‘Security.’
Jake Flanagin examines how reality TV juggernaut Bravo and its ‘Real Housewives’ spin criminality into character development—and ratings gold.
Janna Jones writes about the history and resonances of ‘Love Tapes,’ Wendy Clarke’s 1980s video project.
Jeff Stimmel considers the art and tumultuous life of Chuck Connelly.
In a story from LARB Quarterly no. 47: “Security,” Hannah Liberman’s narrator—who has a “lemon-sized” tumor in her throat—faces a possible cancer diagnosis that forces her to confront her memories, relationships, and losses.