Pynchon’s Abundance
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Smart, sly, and irresistibly stylish, the LARB Book Club Winter 2026 pick is Lauren Rothery’s debut novel, Television.
Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Vanessa Holyoak explores memory and loss after the L.A. fires, in an essay from LARB Quarterly no. 46: “Alien.”
A. Cerisse Cohen writes about desire in your twenties, in a short story throwback from LARB Quarterly no. 45: “Submission.”
Karoline Huber discusses the phenomenon of “de-extinction” in SF and popular culture.
Ari Braverman writes about a woman exiled to the countryside, in a short story from LARB Quarterly no. 46: “Alien.”
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Leah Umansky offers a treatise on living among nature, in a poem from LARB Quarterly no. 46: “Alien.”
Rickey Laurentiis dissects identity and gender in two poems from LARB Quarterly no. 46: “Alien.”
Nico Amador traces abandoned lineages, in a poem from LARB Quarterly no. 46: “Alien.”
In a poem from LARB Quarterly no. 46: “Alien,” aracelis girmay encounters the self as a wild animal.
Timothy Donnelly imagines the daunting task of encapsulating humanity’s woes, in a poem from LARB Quarterly no. 46: “Alien.”
Jeremy Ra inhabits the conflicted mind of chimpanzee caretaker Janis Carter in a poem from LARB Quarterly no. 46: “Alien.”
Nitish Pahwa unravels the legal and familial complexities of statelessness in an essay from LARB Quarterly no. 46: “Alien.”
Deborah L. Jaramillo looks at the relationship between the FCC and the television industry over time.