Don’t Close Your Teeth
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Grant Sharples offers a personal account of the Boss’s career and legacy in light of the new biopic “Springsteen: Deliver Me from Nowhere.”
Nevin Kallepalli investigates political resentment in rural California, in an essay from LARB Quarterly no. 47: “Security.”
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Lana Lin dissects the literary and bodily significance of the appendix.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Smart, sly, and irresistibly stylish, the LARB Book Club Winter 2026 pick is Lauren Rothery’s debut novel, Television.
Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Vanessa Holyoak explores memory and loss after the L.A. fires, in an essay from LARB Quarterly no. 46: “Alien.”
A. Cerisse Cohen writes about desire in your twenties, in a short story throwback from LARB Quarterly no. 45: “Submission.”
Karoline Huber discusses the phenomenon of “de-extinction” in SF and popular culture.
Ari Braverman writes about a woman exiled to the countryside, in a short story from LARB Quarterly no. 46: “Alien.”
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Leah Umansky offers a treatise on living among nature, in a poem from LARB Quarterly no. 46: “Alien.”