Making a Killing
Mikkel Krause Frantzen discusses the future of the financial thriller in an era of cryptocurrencies and climate crisis.
Mikkel Krause Frantzen discusses the future of the financial thriller in an era of cryptocurrencies and climate crisis.
Robert Rubsam offers a portrait of the artist as a lonely man, in an excerpt featured in the LARB Quarterly, no. 46: “Alien.”
Jake Romm navigates artistic depictions of genocide and religious violence—some illuminating, others devoid of substance—from Renaissance Italy to modern-day Berlin, in an essay from LARB Quarterly no. 46: “Alien.”
Tajja Isen reminisces on the extra-retail therapies of childhood trips to The Grove in the newest installment of I Come Here Often, from LARB Quarterly no. 46: “Alien.”
In the 10th essay in the Legacies of Eugenics series, Jay S. Kaufman shows how the science of human body size is suffused with cultural assumptions.
Melissa Chadburn explores the history of the Llano del Rio Cooperative Colony through the writings of Aldous Huxley.
Anna Gaca finally understands French, in a preview of LARB Quarterly no. 46: “Alien.”
Leo Braudy proposes a historical and aesthetic rationale for George Lucas’s Museum of Narrative Art.
Marie Lambert analyzes recent works of fiction that feature translators as protagonists, and the questions they raise about cross-cultural communication in a heterogeneous world.
Matthew Cobb reports from the Spirit of Asilomar, an event celebrating the 50th anniversary of the legendary biotechnology conference.
Dashiel Carrera considers Han Kang, sleep, and the Velvet Underground.
David M. Smith examines the career of the great Norwegian novelist Dag Solstad, and the gaps in English translation of his work.
Mary Turfah writes on Gaza and the limits of the war photograph, in an essay from the upcoming issue of LARB Quarterly, no. 46: “Alien.”
Ben Arthur revisits a transformative moment in American culture through the lens of J. Hoberman’s “Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop.”
Michael Kobre considers the Fantastic Four superhero “The Thing” and Jack Kirby’s relationship to his own Judaism.
Soraya Sebghati outlines a canon of 21st-century Iranian film.