Cut Gems
Asha Schechter documents the experience of retouching precious gems, in an essay from LARB Quarterly no. 47: ‘Security.’
Asha Schechter documents the experience of retouching precious gems, in an essay from LARB Quarterly no. 47: ‘Security.’
Five writers and AI researchers discuss the future of literature.
Revisiting Pat Cadigan’s 1991 novel “Synners” in light of dystopian developments in Los Angeles.
In the 12th essay of the Legacies of Eugenics series, three researchers describe how eugenic ideas linger in the institutions and practices of contemporary healthcare.
Oedipal iterations, from Sophocles to Arundhati Roy.
Pantone’s 2026 Color of the Year is selling us a white fantasy.
The uprising in Iran isn’t only against armed oppression; it’s also over narrative.
The author of ‘Paul Landacre: California Hills, Hollywood and the World Beyond’ underscores the universality of the artist’s engraved landscapes and refutes a critic’s claims that Landacre participated in racism associated with Americans’ westward expansion.
What’s familiar and what’s new about our current fascination with the figure and the mystery of the nun, from Rosalía to self-help books.
Losing home and rebuilding, reluctantly, in the year after Los Angeles’s Eaton Fire.
What was lost when Claire Douglas’s archive burned.
In 2025, television offered a primer in principled dissent.
The third installment of ‘The Biden Years On-Screen’ considers the cinematic fallout of cancel culture, the overruling of Roe v. Wade, and the 2022 midterm elections.
Aran Ward Sell reconsiders the legacy and complex overlapping ‘failures’ of Mervyn Peake’s final novel, ‘Titus Alone.’
On America’s runaway Story Drive.
Tracing the California lineage of Charles Bukowski’s publisher, Black Sparrow Press, and its passionate founder, John Martin.