Artificial Intelligence: A Creative Tool Considered [VIDEO]
Michael Kurcfeld interviews Joel Gethin Lewis, the interactive creative director of UK-based design collective Universal Everything.
Michael Kurcfeld interviews Joel Gethin Lewis, the interactive creative director of UK-based design collective Universal Everything.
David Wolpe reviews Nora Gold’s “18: Jewish Stories Translated from 18 Languages.”
Craig Calhoun reviews two books on history and memory in China: Ian Johnson’s “Sparks: China’s Underground Historians and Their Battle for the Future” and Tania Branigan’s “Red Memory: The Afterlives of China’s Cultural Revolution.”
Jack Skelley tours Luna Luna, an art theme park recently resurrected by Drake, containing work by Basquiat, Haring, and others.
Eric Newman and Kate Wolf speak with writer Alicia Kennedy about “No Meat Required: The Cultural History and Culinary Future of Plant-Based Eating.”
Marcus Lee looks at the new Netflix biopic of Bayard Rustin in the context of his reception and iconography.
Bradley King reviews Ivanna Baranova’s “Continuum.”
Madeleine Connors shells out for fascism cosplay and finds that sometimes the games are best left on screen.
Cory Stockwell reviews Michel Houellebecq’s “Quelques mois dans ma vie.”
Enzo Escober reviews Beyoncé’s new concert movie, "Renaissance."
For Jack Skelley, William Blake has it all: from colonization and sex to post-structuralism and the superego.
Terry Nguyen explores blue essays for LARB Quarterly, no. 40: “Water.”
Edna Bonhomme reviews Nicholas L. Syrett’s “The Trials of Madame Restell: Nineteenth-Century America’s Most Infamous ‘Female Physician’ and the Campaign to Make Abortion a Crime.”
On the occasion of Tom Smothers's death, John Kaye reflects on words unsaid, questions unasked, avenues unpursued.
A tribute to Palestinian writer and activist Refaat Alareer by poet and scholar Mosab Abu Toha.
Julien Crockett talks with Jill Lepore about her new book “The Deadline.”