Hunger for the Whole: On Jacob Emery’s “The Vortex That Unites Us”
Caryl Emerson reviews Jacob Emery’s “The Vortex That Unites Us: Versions of Totality in Russian Literature.”
Caryl Emerson reviews Jacob Emery’s “The Vortex That Unites Us: Versions of Totality in Russian Literature.”
Valerie Duff-Strautmann reviews Katie Peterson’s “Fog and Smoke.”
James Perrin Warren reviews Kurt Caswell’s “Iceland Summer: Travels Along the Ring Road.”
Aditya Narayan Sharma reviews Esther Kinsky’s “Rombo.”
Zoe Hu reviews Han Ong’s 2001 novel “Fixer Chao” and sees an allegory of the writers and con artists of our own era.
Kate Wolf speaks to cultural critic and historian Lucy Sante about her latest book, “I Heard Her Call My Name: A Memoir of Transition.”
Michael Szalay compares apples and Apples in parsing the streamer’s strategy financially, aesthetically, narratively, and otherwise.
Victoria Wiet looks at “May December” as a melodrama that exceeds the genre’s ideological limits and binaries.
Annie Buckley describes her experiences working with incarcerated artists via the Prison Arts Collective.
Michael Knapp reviews Peter Stamm’s “The Archive of Feelings.”
Outside the Crypto.com Arena, the grief and love of grown men briefly erupted in a gush of tears and chants and memories.
LARB social media director Maya Chen rounds up her ultimate relationship red and green flags for 2024.
Hattie Lindert argues for David Cronenberg’s “Crash” as the ideal Valentine’s Day movie.
Genie N. Giaimo explores the need for more comprehensive guidance for writing centers during various crises of late-stage capitalism.
Melissa M. Monroe reviews Eileen Vorbach Collins’s “Love in the Archives: A Patchwork of True Stories About Suicide Loss.”
Eloise Rollins-Fife masks up and gets down with the art world's cutest creeps, ranging from “sexy rabbit” to “life-sized Furby.”