Multifaceted Portals of Discovery: On Janet Sternburg’s “Looking at Mexico / Mexico Looks Back”
Brendan Riley reviews Janet Sternburg’s new collection of photographs, “Looking at Mexico / Mexico Looks Back.”
Brendan Riley reviews Janet Sternburg’s new collection of photographs, “Looking at Mexico / Mexico Looks Back.”
Christian Lewis reviews Sasha Velour’s “The Big Reveal: An Illustrated Manifesto of Drag.”
Violet Spurlock’s “In Lieu of Solutions” is reviewed by charles theonia.
Tom Zoellner talks to Erika Marie Bsumek about one of the worst boondoggles in the Southwest, which she explores in her recent book “The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau.”
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.
Tia Glista interviews Lauren Elkin about her new book “Art Monsters: Unruly Bodies in Feminist Art.”
In a preview of the upcoming LARB Quarterly issue, no. 41: “Truth,” Claire Shaffer muses on how Taylor Swift has begun to recast her personal story and musical legacy.
A. J. Urquidi and God pounded some Jägerbombs and braved an atmospheric river to sample grind, noise, and “doug rock.”
Adam Shatz speaks with Kate Wolf and Eric Newman about his latest book, “The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon.”
Dan Magers speaks with Ben Fama about his debut novel, “If I Close My Eyes.”
Brianna Di Monda reviews William Oldroyd’s cinematic adaptation of Ottessa Moshfegh’s novel “Eileen.”
Brittany Menjivar went to the antiquarian book conference and found a fuzzy belly, murderous frog, and rec center chairman.
Sean T. Collins explores a quartet of sleazy, sensual, sensational shows from 2023 that dared to go beyond prestige-TV dramedy realism.
Kate Tsurkan reviews Artem Chapeye’s “The Ukraine.”
David Diaz dreams of one day telling his grandchildren about the hardcore punk show from his porch on the outskirts of town.
Anthony Alessandrini reviews Adam Shatz’s “The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon.”