The Evil Stepmother as Insult Comic
Gideon Leek reviews the reissue of Caroline Blackwood’s 1976 novel “The Stepdaughter.”
Gideon Leek reviews the reissue of Caroline Blackwood’s 1976 novel “The Stepdaughter.”
Ashley Dawson reviews Stephen Maher and Scott Aquanno’s “The Fall and Rise of American Finance” and Brett Christophers’s “The Price Is Wrong.”
Upon the release of Childish Gambino’s final studio album, Cherith King revisits an exploration of his contribution to the “new black Gothic.”
Michael Eby reviews “Behind the Startup: How Venture Capital Shapes Work, Innovation, and Inequality” by Benjamin Shestakofsky.
Sunny S. Yudkoff reviews “Gretel and the Great War," Adam Ehrlich Sachs’s new abecedarian WWI novel.
Safa Khatib considers theories of Judaism, antisemitism, Zionism, and anti-Zionism in her review of “Critical Theories of Anti-Semitism” by Jonathan Judaken.
Mikaela Dery reviews Sable Yong’s “Die Hot with a Vengeance: Essays on Vanity.”
Benno Weiner reviews Edward Wong’s “At the Edge of Empire: A Family’s Reckoning with China.”
Minsoo Kang examines the persistence of Korean nationalism in the South Korean horror thriller “Exhuma,” directed by Jang Jae-hyun.
Ready, boils and ghouls, for a jolting tale of tension in the EC tradition? Read the Britt-Keeper’s account of a spooky little soirée at Revenge Of in Glassell Park … if you dare!
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman consider the role of pessimism in our approach to contemporary politics.
Shoshana Olidort reviews Andrea Cohen’s “The Sorrow Apartments.”
Michael Kurcfeld attends the 2024 Venice Biennale and profiles its curator, Adriano Pedrosa.
Erik Gleibermann confronts the elusive father figure in his review of “Someone Like Us,” the third novel from acclaimed Ethiopian-American writer Dinaw Mengestu.
Gordon Marino considers “The Occasional Human Sacrifice: Medical Experimentation and the Price of Saying No” by Carl Elliott.
Regan Mies reviews Wolfgang Hilbig’s “Under the Neomoon” and “Territories of the Soul/On Intonation.”