There’s No Surviving Without Hope
Nicole Graev Lipson interviews Jerald Walker about his new essay collection, “Magically Black.”
Nicole Graev Lipson interviews Jerald Walker about his new essay collection, “Magically Black.”
LARB presents an excerpt from Dorothy’s upcoming reissue of Renee Gladman’s “To After That (TOAF).”
Obi Kaufmann considers the coming of the modern megafire and many misconceptions about California’s land, in an excerpt from “The State of Fire.”
Are YOU prepared for “The Big One”? Brittany Menjivar shelters in place at their second issue launch party in Koreatown.
Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christopher Isherwood, Christopher Isherwood Inside Out.
Claire Foster reviews Daniel Saldaña París’s “Planes Flying over a Monster,” newly translated by Christina MacSweeney and Philip K. Zimmerman.
Cory Oldweiler reviews Ellen Elias-Bursać’s new translation of Croatian author Damir Karakaš’s “Celebration.”
Give Brandon Sward a home where butch lesbians roam, where a beard and top surgery display—a.k.a. the Tom of Finland House in Echo Park.
Parker Hatley reviews Gerald Martin’s updated translation of the Guatemalan novel “Men of Maize” by Miguel Ángel Asturias.
Eamon McGrath reviews Ralph Hubbell’s new translation of Oğuz Atay’s story collection, “Waiting for the Fear.”
Robert Kiely reviews Timothy Thornton’s “Candles and Water.”
In an excerpt from “By the Fire We Carry,” Rebecca Nagle explores the concept of “allotment”—and its repercussions.
Brendan Riley reviews Cisco Bradley’s “The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront.”
Kate Wolf talks to Danzy Senna about her latest novel, “Colored Television.”
Charlie Markbreiter analyzes Chelsea Manning as era-defining symbol, internet darling, and enemy of the state, in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Sam Weller details the tempestuous collaboration of Ray Bradbury and John Huston on the production of the 1956 movie “Moby Dick.”