The Man in the Ravine: On Andy McCullough’s “The Last of His Kind”
T. M. Brown reviews Andy McCullough’s “The Last of His Kind: Clayton Kershaw and the Burden of Greatness.”
T. M. Brown reviews Andy McCullough’s “The Last of His Kind: Clayton Kershaw and the Burden of Greatness.”
Ishani Chokshi reviews Yxta Maya Murray’s latest book, “We Make Each Other Beautiful: Art, Activism, and the Law.”
Alina Stefanescu reviews Patrick Nathan’s “The Future Was Color” …
Mala Chatterjee reads Alexander Kriss’s “Borderline: The Biography of a Personality Disorder” in the context of her own borderline diagnosis.
Grace Byron explores J. D. Salinger’s literary and personal legacies through the lens of “Hapworth 16, 1924.”
Daniel Swain reviews Michael Nott’s “Thom Gunn: A Cool Queer Life” …
On a vampire weeknight, only the Hollywood Sign was above Madeleine Connors at the Bowl as she swooned over Ezra Koenig and friends.
Evan Grillon reviews Percival Everett’s “James.”
Michael Scott Moore assesses the legacy of the Russian surrealist Vladimir Sorokin.
Lily Felsenthal and Debbie Ou interview Miranda July about her novel “All Fours.”
Alma Igra illustrates how, through the scrupulous caloric management of Gaza, Israel and the international community have weaponized food.
Jim Coby reviews Paul Tremblay’s “Horror Movie.”
David Alff reviews Megan Kimble’s “City Limits: Infrastructure, Inequality, and the Future of America’s Highways.”
Claire Messud joins Medaya Ocher and Kate Wolf to discuss her latest novel, “This Strange Eventful History.”
Kevin Gonzalez looks back at Kenneth Anger’s “Scorpio Rising” as a biker and a present-day political subject.
Who is to blame for Trump? Bill Thompson reviews Robert Kagan’s “Rebellion: How Antiliberalism Is Tearing America Apart—Again.”