Nothing Experts
Julian Castronovo finds muffins and little plastic words at the Samuel Beckett conference.
Julian Castronovo finds muffins and little plastic words at the Samuel Beckett conference.
Samantha Rose Hill interviews Lyndsey Stonebridge about her new book “We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience.”
Josh Cohen reviews Anna Katharina Schaffner’s “Exhausted: An A–Z for the Weary” and Byung-Chul Han’s “Vita Contemplativa: In Praise of Inactivity.”
Jack Skelley beams himself into the future to watch the robots of Kraftwerk serve Walt Disney Concert Hall.
Charlie Taylor reviews the new English translation of Louis-Ferdinand Céline’s “lost” novel, “War.”
David A. Gerstner considers the sterilized presentation of Rainer Werner Fassbinder’s “Querelle” in its new rerelease.
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman debate an age-old question: what does it mean for criticism to “matter”?
Emily Adrian talks with Elisa Gabbert about her new collection of essays, “Any Person Is the Only Self.”
Katie Catulle reviews “A Journal of the Plague Years,” an anthology on the COVID-19 lockdown and aftermath.
Marion Thain analyzes Yorgos Lanthimos’s film “Poor Things” in the context of Julie Wosk’s new book “Artificial Women: Sex Dolls, Robot Caregivers, and More Facsimile Females.”
Juno Richards reviews Jules Gill-Peterson’s “A Short History of Trans Misogyny.”
In true Schmuel spirit, Maya Chen reflects on her last seven years of friendship while attending “The Last Five Years” in Sierra Madre.
Edmée Lepercq reviews Iman Mersal’s “Traces of Enayat.”
Diana Heald reviews Marisa Meltzer’s “Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss’s Glossier.”
Anna Bogutskaya assesses “Ripley,” Netflix’s new adaptation of Patricia Highsmith’s most infamous literary creation.
Rachel Khong joins Eric Newman to discuss her latest novel, “Real Americans.”