Gossip as a Literary Genre, or Gossip as “L’Écriture feminine”?
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Emmeline Clein recounts an “American Icarus story” spelled out in diet pills and rhinestones in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Meghan Racklin reviews “Janet Planet,” the debut feature film from playwright Annie Baker.
Benjamin Nathans revisits the 1968 suppression of the Prague Spring from the perspective of the Soviet dissident movement.
Rhoda Feng reviews Téa Obreht’s new novel “The Morningside.”
Zoe Mendelson tells herself gossip in order to live in an online-only exclusive from the LARB Quarterly issue no. 42.
Vivian Medithi interviews Lauren Cook about his new collection, “Sex Goblin.”
Audrey Serrano just came here from USC, and now she’s in this dream place, watching “Mulholland Drive” in 4K at the Academy Museum.
Listen to a panel discussion featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake, hosted by LARB and The Berggruen Institute on July 18.
Amit Chaudhuri and James Wood discuss modernism, realism, and Chaudhuri’s three recently reissued novels.
Ari Braverman interviews Claire Donato about “Kind Mirrors, Ugly Ghosts.”
Charles J. Holden reviews Doris Kearns Goodwin’s memoir, “An Unfinished Love Story: A Personal History of the 1960s.”
Paul Vangelisti reviews Neeli Cherkovski’s “Selected Poems: 1959–2022.”
A new Palestinian movie night teaches Tosten Burks about failure.
Exploring the correspondence of June Jordan and Audre Lorde, Marina Magloire assembles an archive of a Black feminist falling-out over Zionism.
In his review of “Poor Charlie's Almanack,” Dave Mandl delights in Charles T. Munger’s skewering of contemporary investing and business practices.