The Word as Image: On “How to Read Islamic Calligraphy”
Emily Neumeier reviews "How to Read Islamic Calligraphy," a recent book from the Metropolitan Museum of Art and curator Maryam D. Ekhtiar.
Emily Neumeier reviews "How to Read Islamic Calligraphy," a recent book from the Metropolitan Museum of Art and curator Maryam D. Ekhtiar.
Marion Thain on Dustin Friedman’s new study of queerness in the Victorian era, before queer theory or, really, any clear account of queer identity.
Tess Lewis translates Swiss author Lukas Bärfuss’s Georg Büchner Prize acceptance speech.
Kristina Marie Darling discusses new approaches to the poetic process.
Ilan Stavans and Josh Lambert introduce their new anthology, “How Yiddish Changed America and How America Changed Yiddish.”
Talking to Celine Sciamma about her film, Portrait of a Lady on Fire
Jennifer Croft is swept away by Frank Wynne’s translation of “Vernon Subutex 1,” a novel by Virginie Despentes.
As much as it is a portrait of Steve Bannon, "American Dharma" is also a story about the political and media class’s hypnotism by apocalyptic visions.
Bruce Sterling writes about the efficacy of an ethics manifesto by AI programmers.
Steve Lichtman reviews the week in culture and politics.
Gordon and Grimm consider how the camerawoman fought for relevance and visibility in the days of early cinema and ask why we continue to forget her.
Oleg Ivanov follows the tragicomic travails of Soviet émigrés in “Farewell, Mama Odessa” by Emil Draitser.
Katie Smith looks at three recent books to consider how Nordic SF writers grapple with trauma through highly experimental prose.
A prominent YA author on the importance of friendship and the dangers of toxic masculinity.
What Tom Waits has to teach us about the coming global catastrophe.
Jan Philipp Reemtsma talks about the importance of emphatic rhetoric in democracy for the Thomas Mann House series "55 Voices for Democracy."