All Hail the Guilty Pleasures: On Ali Liebegott’s “Rooms and Other Feelings”
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Max Levin writes about Ricky D’Ambrose’s autobiographical feature film, “The Cathedral.”
Alan Warhaftig recalls his encounters with C. L. R. James, one of the finest public intellectuals of the 20th century.
Alan Warhaftig talks with C. L. R. James about revolutionary politics, the ethics of cricket, and his novel “Minty Alley.”
Alex Harvey reviews John Scanlan’s “Rock ’n’ Roll Plays Itself: A Screen History.”
Jean Hey considers Eve Fairbanks’s “The Inheritors: An Intimate Portrait of South Africa’s Racial Reckoning.”
J. Hoberman reviews Ruth Beckermann’s film, “Mutzenbacher,” loosely adapted from the 1906 novel.
Dan Sinykin breaks down the Post45 Data Collective set on literary awards compiled by Stephanie Young and Juliana Spahr.
Rowan Williams reviews Iain McGilchrist’s “The Matter with Things: Our Brains, Our Delusions, and the Unmaking of the World.”
Andrew Louth reviews Iain McGilchrist’s “The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World.”
Jason Ray Carney reviews Brandon R. Grafius’s “Lurking Under the Surface: Horror, Religion, and the Questions That Haunt Us,” a nonfiction book that explores the relationship between horror films and biblical studies.
James Penner interviews John Densmore, drummer for the Doors.
Eric Newman and Medaya Ocher speak with Sabrina Imbler, a writer and science journalist, about her debut essay collection, “How Far the Light Reaches: A Life in Ten Sea Creatures.”
Paul Thompson interviews rapper Open Mike Eagle for issue no. 36 of The LARB Quarterly.
Lauren Collee reflects on the history of pet photography, cat memes, and cute animal rage.