The Greeting Card as Poem: Frank Wilderson and the Refiguring of a Genre
Marjorie Perloff reads the Afropessimist author Frank Wilderson’s New Year’s cards as poetry.
"Writing only leads to more writing." — Colette
Marjorie Perloff reads the Afropessimist author Frank Wilderson’s New Year’s cards as poetry.
Marjorie PerloffMar 30, 2023
Jeremy Tiang reviews Li Zi Shu’s “The Age of Goodbyes” and Cheow Thia Chan’s “Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature.”
Jeremy TiangFeb 11, 2023
Paul Thompson examines the metabolization of bullshit into our lives, by way of analyzing Peter Bogdanovich’s film “Paper Moon” and Robert Greene’s book “The 48 Laws of Power.”
Paul ThompsonJan 28, 2023
Yelena Furman reviews Sasha Senderovich’s “How the Soviet Jew Was Made.”
Yelena FurmanJan 15, 2023
Dan Sinykin breaks down the Post45 Data Collective set on literary awards compiled by Stephanie Young and Juliana Spahr.
Dan SinykinJan 9, 2023
William Collins Donahue reviews Stephen D. Dowden’s “Modernism and Mimesis.”
William Collins DonahueJan 5, 2023
Matthew K. Ritchie draws parallels between Mohsin Hamid’s “The Last White Man” and “Black No More,” George Schuyler’s satire from 1931.
Matthew K. RitchieJan 2, 2023
Natalie Dunn speaks with Amina Cain about her new book “A Horse at Night: On Writing.”
Natalie DunnDec 30, 2022
Joshua Hren reviews Adam Nicolson’s “The Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels.”
Joshua HrenDec 11, 2022
Gracie Hadland reviews Constance Debré’s “Love Me Tender.”
Gracie HadlandDec 8, 2022
Nicholas C. Laudadio reviews Justin St. Clair’s “Soundtracked Books from the Acoustic Era to the Digital Age.”
Nicholas C. LaudadioNov 5, 2022
Jason Crawford discusses the career of Robert Armin, the first modern comedian.
Jason CrawfordNov 4, 2022