Making a Killing
Mikkel Krause Frantzen discusses the future of the financial thriller in an era of cryptocurrencies and climate crisis.
"Writing only leads to more writing." — Colette
Mikkel Krause Frantzen discusses the future of the financial thriller in an era of cryptocurrencies and climate crisis.
Mikkel Krause FrantzenOct 2, 2025
Anthony Curtis Adler considers the new translation of Walter Benjamin’s “On Goethe” from Stanford University Press.
Anthony Curtis AdlerSep 16, 2025
Marie Lambert analyzes recent works of fiction that feature translators as protagonists, and the questions they raise about cross-cultural communication in a heterogeneous world.
Marie LambertSep 15, 2025
Zach Gibson reviews Hayden White’s second volume of “The Ethics of Narrative: Essays on History, Literature, and Theory.”
Zach GibsonSep 2, 2025
Emmeline Clein finds pockets of faith in feminist writer Shulamith Firestone's ostensibly airless spaces in an essay from LARB Quarterly no. 45: “Submission.”
Emmeline CleinJun 24, 2025
Andrew Koenig considers Elisha Cohn’s “Milieu: A Creaturely Theory of the Contemporary Novel.”
Andrew KoenigJun 6, 2025
Dan Sinykin interviews Tom Comitta about their latest project, “People’s Choice Literature: The Most Wanted and Unwanted Novels.”
Dan SinykinJun 5, 2025
Alix Ohlin revisits Kazuo Ishiguro’s novel “Never Let Me Go” on the occasion of its 20th anniversary.
Alix OhlinApr 28, 2025
Ian Ellison considers Sebastian P. Klinger’s “Sleep Works: Experiments in Science and Literature, 1899–1929.”
Ian EllisonApr 26, 2025
In this new installment of an ongoing series, LARB founder Tom Lutz reflects on the “King of the Greenwich Village Bohemians,” Maxwell Bodenheim, and the significance of the year 1925.
Tom LutzApr 25, 2025
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Vanessa EvansApr 20, 2025
Valerie Duff-Strautmann reviews Srikanth Reddy’s “The Unsignificant.”
Valerie Duff-StrautmannApr 12, 2025