Life, Disturbed: On Nicole Flattery’s “Nothing Special”
Grace Linden reviews Nicole Flattery’s “Nothing Special.”
"Writing only leads to more writing." — Colette
Grace Linden reviews Nicole Flattery’s “Nothing Special.”
Grace LindenJul 16, 2023
Thalia Williamson analyzes how novels that limit or refuse paragraph breaks challenge our distracted modes of reading.
Thalia WilliamsonJul 5, 2023
Katharine Coldiron ponders why we love the bad art we love.
Katharine ColdironJun 24, 2023
Dima Ayoub describes the long and multivarious career of Palestinian author and critic Salma Khadra Jayyusi.
Dima AyoubJun 14, 2023
Ann Manov reviews Adam Shatz’s “Writers and Missionaries: Essays on the Radical Imagination.”
Ann ManovJun 6, 2023
Ed Simon reviews Stuart Jeffries’s “Everything, All the Time, Everywhere: How We Became Postmodern.”
Ed SimonMay 25, 2023
Tom Allen reviews David Grundy’s “Present Continuous.”
Tom AllenMay 23, 2023
Bob Blaisdell reviews Gary Saul Morson’s “Wonder Confronts Certainty: Russian Writers on the Timeless Questions and Why Their Answers Matter.”
Bob BlaisdellMay 17, 2023
Alexander Manshel, Laura B. McGrath, and J. D. Porter discuss the economics and aesthetics of audiobooks.
Alexander Manshel, J. D. Porter, Laura B. McGrathMay 16, 2023
Jasmine Liu visits Princeton University Library’s exhibition of Toni Morrison’s archive.
Jasmine LiuMay 6, 2023
John Galbraith Simmons reviews Joel Warner’s “The Curse of the Marquis de Sade: A Notorious Scoundrel, a Mythical Manuscript, and the Biggest Scandal in Literary History.”
John Galbraith SimmonsApr 11, 2023
Nick Owchar examines Nicholas Delbanco’s 2020 book “Why Writing Matters” in the context of the author’s career.
Nick OwcharApr 1, 2023