Truths That Cannot Be Offered Outside of Art: On Stephen D. Dowden’s “Modernism and Mimesis”
William Collins Donahue reviews Stephen D. Dowden’s “Modernism and Mimesis.”
"Writing only leads to more writing." — Colette
William Collins Donahue reviews Stephen D. Dowden’s “Modernism and Mimesis.”
William Collins DonahueJan 5, 2023
Matthew K. Ritchie draws parallels between Mohsin Hamid’s “The Last White Man” and “Black No More,” George Schuyler’s satire from 1931.
Matthew K. RitchieJan 2, 2023
Natalie Dunn speaks with Amina Cain about her new book “A Horse at Night: On Writing.”
Natalie DunnDec 30, 2022
Joshua Hren reviews Adam Nicolson’s “The Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels.”
Joshua HrenDec 11, 2022
Gracie Hadland reviews Constance Debré’s “Love Me Tender.”
Gracie HadlandDec 8, 2022
Nicholas C. Laudadio reviews Justin St. Clair’s “Soundtracked Books from the Acoustic Era to the Digital Age.”
Nicholas C. LaudadioNov 5, 2022
Jason Crawford discusses the career of Robert Armin, the first modern comedian.
Jason CrawfordNov 4, 2022
Brahim El Guabli analyzes the postcolonial emergence of Amazigh literature.
Brahim El GuabliOct 28, 2022
Caterina Domeneghini reviews Peter Brooks’s new book “Seduced by Story: The Use and Abuse of Narrative.”
Caterina DomeneghiniOct 17, 2022
Nathan Jefferson reviews Brooks E. Hefner’s “Black Pulp: Genre Fiction in the Shadow of Jim Crow,” an introduction to often overlooked pulp stories that ran in Black newspapers.
Nathan JeffersonOct 6, 2022
Michael S. Roth considers Stanley Cavell's "Here and There: Sites of Philosophy."
Michael S. RothSep 30, 2022
Tom Sperlinger reviews Jonathan Bate’s new book “Mad About Shakespeare: From Classroom to Theatre to Emergency Room.”
Tom SperlingerSep 28, 2022