The First Comedian
Jason Crawford discusses the career of Robert Armin, the first modern comedian.
"Writing only leads to more writing." — Colette
Jason Crawford discusses the career of Robert Armin, the first modern comedian.
Jason CrawfordNov 4, 2022
Brahim El Guabli analyzes the postcolonial emergence of Amazigh literature.
Brahim El GuabliOct 28, 2022
Caterina Domeneghini reviews Peter Brooks’s new book “Seduced by Story: The Use and Abuse of Narrative.”
Caterina DomeneghiniOct 17, 2022
Nathan Jefferson reviews Brooks E. Hefner’s “Black Pulp: Genre Fiction in the Shadow of Jim Crow,” an introduction to often overlooked pulp stories that ran in Black newspapers.
Nathan JeffersonOct 6, 2022
Michael S. Roth considers Stanley Cavell's "Here and There: Sites of Philosophy."
Michael S. RothSep 30, 2022
Tom Sperlinger reviews Jonathan Bate’s new book “Mad About Shakespeare: From Classroom to Theatre to Emergency Room.”
Tom SperlingerSep 28, 2022
Kathy Chow reviews Elaine Castillo’s new collection of essays, “How To Read Now.”
Kathy ChowAug 9, 2022
Steven Shaviro reviews "Dark Scenes from Damaged Earth," a new academic collection of weird ecocriticism edited by Justin D. Edwards, Rune Graulund, and Johan Höglund.
Steven ShaviroAug 6, 2022
The long-prophesied “death of the author” has made us all authors of unceasing social narratives.
Jared Marcel PollenJul 18, 2022
Jason DeYoung reads Shushan Avagyan’s new translation of Viktor Shklovsky’s classic work, “On the Theory of Prose.”
Jason DeYoungJul 3, 2022
Kelly Baker Josephs reviews Matthew G. Kirschenbaum’s “Bitstreams: The Future of Digital Literary Heritage.”
Kelly Baker JosephsJul 1, 2022
Alexandra Kingston-Reese charts “Life-Destroying Diagrams,” the new book by Eugenie Brinkema.
Alexandra Kingston-ReeseJun 25, 2022