Not Exactly a Thesis
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
"Writing only leads to more writing." — Colette
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
Michael BarronJan 15
On László Krasznahorkai’s sentences and what they require of us.
Nyuol Lueth TongJan 14
Chloe Garcia Roberts considers J. M. Coetzee and Mariana Dimópulos’s new book on translation.
Chloe Garcia RobertsDec 19, 2025
Zach Gibson meditates on “late style” in the work of postmodernists like Thomas Pynchon who are still publishing well into their eighties.
Zach GibsonDec 14, 2025
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Jon RepettiDec 9, 2025
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Cynthia ZarinNov 17, 2025
Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Hannah SmartNov 15, 2025
Tom Williams explores the folklore surrounding a pop star’s reputation in Elly McCausland’s “Swifterature: A Love Story.”
Tom Williams Nov 9, 2025
Amy R. Wong explores Nan Z. Da’s “The Chinese Tragedy of King Lear.”
Amy R. WongOct 23, 2025
Douglas Dowland close-reads Dan Sinykin and Johanna Winant’s new edited volume, “Close Reading for the Twenty-First Century.”
Douglas DowlandOct 21, 2025
Isabel Jacobs considers Aaron Schuster’s “How to Research Like a Dog: Kafka’s New Science.”
Isabel JacobsOct 11, 2025
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Jacquelyn ArdamOct 8, 2025