Am I Not Now at Peace? On Chris Bachelder and Jennifer Habel’s “Dayswork”
Alice Kelly reviews Chris Bachelder and Jennifer Habel’s “Dayswork.”
"Writing only leads to more writing." — Colette
Alice Kelly reviews Chris Bachelder and Jennifer Habel’s “Dayswork.”
Alice KellyDec 16, 2023
Timothy S. Miller reviews Brian Attebery’s “Fantasy: How It Works.”
Timothy S. MillerDec 15, 2023
Todd Shy reviews Lawrence Buell’s “Henry David Thoreau: Thinking Disobediently” and Robert D. Richardson’s “Three Roads Back: How Emerson, Thoreau...
Todd ShyNov 7, 2023
Maya Hayda reviews Chang Yuchen’s “Coral Dictionary Vol. 1: 2019–2022.”
Maya HaydaNov 4, 2023
Hilary Plum situates Dan Sinykin’s “Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature” among the ecosystem of...
Hilary PlumOct 24, 2023
Eliana Rozinov examines the figure of Midge as a mythical phenomenon, a pregnant doll, and a variation of the “promising young woman” trope.
Eliana RozinovOct 12, 2023
Eric Gudas reviews Susie Boyt’s “Loved and Missed.”
Eric GudasOct 11, 2023
Julia Lindsay reviews Joy Sanchez-Taylor’s “Diverse Futures: Science Fiction and Authors of Color.”
Julia LindsayOct 8, 2023
Salem James Martinez reviews Nana Kwame Adjei-Brenyah’s “Chain-Gang All-Stars.”
Salem James MartinezSep 29, 2023
Ariel Courage reviews Olga Ravn’s “My Work,” translated by Sophia Hersi Smith and Jennifer Russell.
Ariel CourageSep 26, 2023
Sumana Roy on how the vernacularization of the English language has affected Indian political and cultural life.
Sumana RoySep 22, 2023
Joel Cuthbertson defends the creative writing MFA as an educational, not a vocational, enterprise.
Joel CuthbertsonSep 2, 2023