Yelena Furman

Yelena Furman teaches Russian language and literature at UCLA. Her research interests include contemporary Russian women’s literature, Russian-American literature, and Chekhov.

Acute Infection or Chronic Condition? On Maxim D. Shrayer’s “A Russian Immigrant: Three Novellas”

Yelena Furman traverses “A Russian Immigrant: Three Novellas” by Maxim D. Shrayer....

YELENA FURMAN

FICTION

“Shintity Fug These Vulstes”: On Ksenia Buksha’s “The Freedom Factory”

Yelena Furman deconstructs “The Freedom Factory,” a novel by Ksenia Buksha, translated from Russian by Anne O. Fisher....

YELENA FURMAN

AROUND THE WORLD

FICTION

Torn Like a Veil Before Me: On Elena Chizhova’s “Little Zinnobers”

Yelena Furman studies “Little Zinnobers,” a novel by Elena Chizhova, translated from Russian by Carol Ermakova....

YELENA FURMAN

AROUND THE WORLD

FICTION

Russianness Under Foreign Skies: On Edyta M. Bojanowska’s “A World of Empires: The Russian Voyage of the Frigate Pallada”

YELENA FURMAN

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LITERARY CRITICISM

HISTORY

CULTURAL STUDIES

Two Mirrors: On Leonid Yuzefovich’s “Horsemen of the Sands”

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FICTION

A Voice from the Caucasus: On Alisa Ganieva’s “Bride and Groom”

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FICTION

GENDER & SEXUALITY

“Don’t We Know Our Own Minds?”: A Rediscovered Russian Woman Writer of the 19th Century

YELENA FURMAN

AROUND THE WORLD

FICTION

“On the Side of the L-law”: Boris Akunin’s Russian Detective

YELENA FURMAN

AROUND THE WORLD

NOIR

Soviet Scars: Elena Chizhova’s “The Time of Women”

YELENA FURMAN