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Reconfiguring the Categories
Yelena Furman reviews Karolina Krasuska’s “Soviet-Born: The Afterlives of Migration in Jewish American Fiction.”
Yelena Furman
Yelena Furman teaches Russian language and literature at UCLA. Her research interests include contemporary Russian women’s literature, Russian American literature, and Anton Chekhov.
Articles
Salvaging a Soviet Jewish Literary Culture: On Marat Grinberg’s “The Soviet Jewish Bookshelf”
Yelena Furman reviews Marat Grinberg’s “The Soviet Jewish Bookshelf: Jewish Culture and Identity Between the Lines.”
Somewhat Nebulous Contours: On Sasha Senderovich’s “How the Soviet Jew Was Made”
Yelena Furman reviews Sasha Senderovich’s “How the Soviet Jew Was Made.”
The Realm of Forgotten Things: On Ludmilla Petrushevskaya’s “The New Adventures of Helen”
Yelena Furman is drawn to “The New Adventures of Helen,” a collection of fairy tales for adults by Ludmilla Petrushevskaya, translated from the...
Acute Infection or Chronic Condition? On Maxim D. Shrayer’s “A Russian Immigrant: Three Novellas”
Yelena Furman traverses “A Russian Immigrant: Three Novellas” by Maxim D. Shrayer.
“Shintity Fug These Vulstes”: On Ksenia Buksha’s “The Freedom Factory”
Yelena Furman deconstructs “The Freedom Factory,” a novel by Ksenia Buksha, translated from Russian by Anne O. Fisher.
Torn Like a Veil Before Me: On Elena Chizhova’s “Little Zinnobers”
Yelena Furman studies “Little Zinnobers,” a novel by Elena Chizhova, translated from Russian by Carol Ermakova.
Russianness Under Foreign Skies: On Edyta M. Bojanowska’s “A World of Empires: The Russian Voyage of the Frigate Pallada”
Yelena Furman navigates “A World of Empires: The Russian Voyage of the Frigate Pallada,” by Edyta M. Bojanowska.
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