Neon Pink
Sam Moore on queerness and finding oneself, with detours through contemporary queer film, literature, and music.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Sam Moore on queerness and finding oneself, with detours through contemporary queer film, literature, and music.
Sam MooreFeb 29, 2020
Jonathan Alexander interviews actor, writer, and director Kit Williamson about his show “EastSiders."
Jonathan AlexanderFeb 24, 2020
Eileen G’Sell interviews Karim Aïnouz, director of “Invisible Life.”
Eileen G’SellFeb 16, 2020
Victoria Dailey looks back at Oscar Wilde’s wild ride through the United States in the early 1880s.
Victoria DaileyFeb 8, 2020
Patricia White considers Greta Gerwig's adaptation of "Little Women."
Patricia WhiteFeb 7, 2020
Ellie Duke explores the biographer’s role in biography in a review of Jenn Shapland’s “My Autobiography of Carson McCullers.”
Ellie DukeFeb 4, 2020
Briallen Hopper appreciates "The Mutual Admiration Society," a new book from Mo Moulton.
Briallen HopperJan 27, 2020
Eric Newman reviews the latest from Garth Greenwell, “Cleanness.”
Eric NewmanJan 23, 2020
Marion Thain on Dustin Friedman’s new study of queerness in the Victorian era, before queer theory or, really, any clear account of queer identity.
Marion ThainJan 22, 2020
Gordon and Grimm consider how the camerawoman fought for relevance and visibility in the days of early cinema and ask why we continue to forget her.
Charles “Buckey” Grimm, Marsha GordonJan 20, 2020
Dinah Lenney talks to Keren Taylor, the founder and executive director of WriteGirl.
Dinah LenneyJan 16, 2020
Avgi Saketopoulou explores the charged interconnections between racism and sexuality in Jeremy O. Harris’s “Slave Play.”
Avgi SaketopoulouJan 10, 2020