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The Siren and the Hack
Eliana Rozinov analyzes the interplay between two recent shows, “Sirens” and “Hacks.”
Gender & Sexuality
"As far as I'm concerned, being any gender is a drag." — Patti Smith
You’re Not Anyone
Winnie Code considers Andrew DeYoung’s debut feature film “Friendship.”
The Articulated Unknown
Tiff Dressen interviews Aaron Shurin about “Elixir: New and Selected Poems.”
An Active Project of Exclusion
Geertje Bol and Jan Eijking review “Erased: A History of International Thought Without Men,” by Patricia Owens.
In a Language Beyond What Is Given
Tia Glista watches Eva Victor’s directorial debut, “Sorry, Baby.”
Don’t Look Down
Grace Byron considers Lorde’s “Virgin” and the gauntlet we lay for our pop stars.
Taste Test
Cory Bradshaw describes the art and agony involved in making amateur porn in an essay for LARB Quarterly no. 45: “Submission.”
The Wide Umbrella of “Queen”
Emmeline Clein interviews Tourmaline about her new book “Marsha: The Joy and Defiance of Marsha P. Johnson.”
Never a Patient Woman
Emmeline Clein finds pockets of faith in feminist writer Shulamith Firestone's ostensibly airless spaces in an essay from LARB Quarterly no. 45: “Submission.”
Trans Women in the Heartland
Lori Marso examines “Woodworking,” the debut novel from fellow South Dakotan Emily St. James.
Daughters Are Not Like Spilled Water
Susan Blumberg-Kason reviews recent books about the aftermath of China’s one-child policy and the experience of women in contemporary China.
Becoming a Woman Who Screams
Gabrielle McClellan watches Durga Chew-Bose’s debut feature film “Bonjour Tristesse.”
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