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Mattilda Bernstein Sycamore reviews the new edition of David Wojnarowicz’s collection “Memories That Smell Like Gasoline.”
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Mattilda Bernstein Sycamore reviews the new edition of David Wojnarowicz’s collection “Memories That Smell Like Gasoline.”
Mattilda Bernstein SycamoreOct 18, 2025
Alex Tan speaks with Egyptian author Iman Mersal about her new book “Motherhood and Its Ghosts.”
Alex TanOct 5, 2025
Jordan Osserman reads two recent queer theory books exploring the form and chemistry of sex.
Jordan OssermanSep 7, 2025
Iris Kim interviews Katie Simon about “Tell Me What You Like: An Honest Discussion of Sex and Intimacy After Sexual Assault.”
Iris KimSep 4, 2025
Martha Ronk thinks about Kristen Case’s “Daphne.”
Martha RonkSep 2, 2025
Sarah AlKahly-Mills explores James Bloodworth’s “Lost Boys: A Personal Journey Through the Manosphere.”
Sarah AlKahly-MillsAug 24, 2025
Amanda Hawkins explores Michael M. Weinstein’s new poetry collection “Saint Consequence.”
Amanda HawkinsAug 17, 2025
Eliana Rozinov analyzes the interplay between two recent shows, “Sirens” and “Hacks.”
Eliana RozinovAug 15, 2025
Winnie Code considers Andrew DeYoung’s debut feature film “Friendship.”
Winnie CodeAug 8, 2025
Tiff Dressen interviews Aaron Shurin about “Elixir: New and Selected Poems.”
Tiff DressenAug 8, 2025
Geertje Bol and Jan Eijking review “Erased: A History of International Thought Without Men,” by Patricia Owens.
Geertje Bol, Jan EijkingAug 5, 2025
Tia Glista watches Eva Victor’s directorial debut, “Sorry, Baby.”
Tia GlistaJul 31, 2025