To Write as They Played
Sarah Moorhouse reviews Susan Tomes’s new collective biography, “Women and the Piano: A History in 50 Lives.”
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Sarah Moorhouse reviews Susan Tomes’s new collective biography, “Women and the Piano: A History in 50 Lives.”
Sarah MoorhouseJul 24
Lori Marso reviews Catherine Breillat’s film “Last Summer” in the context of the director’s body of work, as well as alongside the recent Miranda...
Lori MarsoJul 19
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Adam NaymanJul 14
Cristóbal Riego explores the hybrid nonfiction writings of Chilean author Pedro Lemebel.
Cristóbal RiegoJul 7
Kevin Gonzalez looks back at Kenneth Anger’s “Scorpio Rising” as a biker and a present-day political subject.
Kevin GonzalezJun 14
David A. Gerstner considers the sterilized presentation of Rainer Werner Fassbinder’s “Querelle” in its new rerelease.
David A. GerstnerJun 12
Marion Thain analyzes Yorgos Lanthimos’s film “Poor Things” in the context of Julie Wosk’s new book “Artificial Women: Sex Dolls, Robot Caregivers...
Marion ThainJun 10
Juno Richards reviews Jules Gill-Peterson’s “A Short History of Trans Misogyny.”
Jun 10
Claudia Casper reviews Sarah Blaffer Hrdy’s “Father Time: A Natural History of Men and Babies.”
Claudia CasperJun 4
Gabriel X. Hendrix reviews Gil Cuadros’s “My Body is Paper.”
Gabriel X. HendrixJun 3
Isabel Bartholomew reviews Grace Lavery’s “Closures: Heterosexuality and the American Sitcom.”
Isabel BartholomewMay 25
Diana Arterian reviews Alison C. Rollins’s “Black Bell.”
Diana ArterianMay 19