Sade, Too: A New Moment for a Complex Monster
A newly translated work by the Marquis de Sade has much to say about our power-mad, wealth-saturated times.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
A newly translated work by the Marquis de Sade has much to say about our power-mad, wealth-saturated times.
John Galbraith SimmonsApr 1, 2020
Dan López reviews Juliana Delgado Lopera’s “Fiebre Tropical,” a novel that gets at the queer feeling of ambivalence that attends home and family.
Dan LópezMar 27, 2020
Vanessa Cambier explores the intersections of feminist film study and the animation form.
Vanessa CambierMar 25, 2020
Daniel Fraser looks at the most recent translation of Chantal Akerman’s “My Mother Laughs” as a work about motherhood, illness, and language.
Daniel FraserMar 22, 2020
Two new biographies of early 20th-century American radical women.
Elaine MargolinMar 14, 2020
Allison Grimaldi Donahue presents an excerpt from her translation of Italian art critic and feminist activist Carla Lonzi’s “Autoritratto.”
Allison Grimaldi Donahue, Carla LonziMar 13, 2020
Jonathan Alexander explores a retrospective of artist Nayland Blake’s work now on view at the Institute of Contemporary Art in Los Angeles.
Jonathan AlexanderMar 7, 2020
Sam Moore on queerness and finding oneself, with detours through contemporary queer film, literature, and music.
Sam MooreFeb 29, 2020
Jonathan Alexander interviews actor, writer, and director Kit Williamson about his show “EastSiders."
Jonathan AlexanderFeb 24, 2020
Eileen G’Sell interviews Karim Aïnouz, director of “Invisible Life.”
Eileen G’SellFeb 16, 2020
Victoria Dailey looks back at Oscar Wilde’s wild ride through the United States in the early 1880s.
Victoria DaileyFeb 8, 2020
Patricia White considers Greta Gerwig's adaptation of "Little Women."
Patricia WhiteFeb 7, 2020