New Tyrannies
Sophie Kemp considers the recent and ongoing radicalization of young men in the United States.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Sophie Kemp considers the recent and ongoing radicalization of young men in the United States.
Sophie KempNov 14, 2024
Katie Kadue reviews Lili Anolik’s “Didion & Babitz.”
Katie KadueNov 12, 2024
Brendan Boyle considers Coralie Fargeat’s “The Substance.”
Brendan BoyleNov 10, 2024
Kara Rota reviews Coralie Fargeat’s film “The Substance.”
Kara RotaNov 10, 2024
In light of the election, LARB editors present a selection of archival pieces that reveal what we know (and do not) about ourselves as a nation.
Medaya OcherNov 7, 2024
Joshua Gutterman Tranen speaks with Keiko Lane about her memoir “Blood Loss: A Love Story of AIDS, Activism, and Art.”
Joshua Gutterman TranenOct 31, 2024
Hugh Ryan interviews Oliver Radclyffe about gender, late-in-life transition, and Radclyffe’s memoir, “Frighten the Horses.”
Hugh RyanOct 27, 2024
Caroline Tracey explores, via Dahlia de la Cerda’s “Reservoir Bitches,” the possibilities and limits of women’s agency on the fringes of Mexico’s narcosphere.
Caroline TraceyOct 21, 2024
Alina Stefanescu reviews “The Use of Photography” by Annie Ernaux and Marc Marie, newly translated into English by Alison L. Strayer.
Alina StefanescuOct 19, 2024
Emmeline Clein considers girls, games, and heterosexual monogamy in her review of Sally Rooney’s new novel, “Intermezzo.”
Emmeline CleinOct 6, 2024
Robert Kiely reviews Timothy Thornton’s “Candles and Water.”
Robert KielySep 9, 2024
Charlie Markbreiter analyzes Chelsea Manning as era-defining symbol, internet darling, and enemy of the state, in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Charlie MarkbreiterSep 6, 2024