The Defiant Muse
Alice Blackhurst looks at "Portrait of a Lady on Fire," the latest film from Céline Sciamma.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Alice Blackhurst looks at "Portrait of a Lady on Fire," the latest film from Céline Sciamma.
Alice BlackhurstDec 22, 2019
The urge to be seen forms the urgency of Cameron Awkward-Rich’s “Dispatch.”
Stephanie BurtDec 10, 2019
Elaine Elinson reviews Rachel Louise Snyder's "No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us."
Elaine ElinsonDec 8, 2019
What the fashion cycle teaches us about aging and disposability.
Margaret Morganroth GulletteNov 30, 2019
Jonathan Alexander on Nico Tortorella, gender fluidity, and contemporary culture.
Jonathan AlexanderNov 26, 2019
LARB gender and sexuality editor Eric Newman considers “Females” by Andrea Long Chu.
Eric NewmanNov 25, 2019
Kay Gabriel confronts “Females” by Andrea Long Chu.
Kay GabrielNov 25, 2019
Sarah Gleeson-White reviews a new documentary about a female cinematic pioneer.
Sarah Gleeson-WhiteNov 23, 2019
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
Chloe LizotteNov 10, 2019
On “Inside Killjoy’s Kastle,” a look at a lesbian haunted house art project as well as the anti-trans clouds that haunt stereotypes about lesbian identity.
Alexis ClementsNov 9, 2019
Paul Morton reviews "Cons De Fée: The Erotic Art of Wallace Wood," out now from Fantagraphics.
Paul MortonNov 9, 2019
Annie McGreevy on “Hustlers,” Edward P. Jones’s “The Known World,” a failed TV project, and the hustles that sustain us under capitalism.
Annie McGreevyNov 6, 2019