Singing in Anywheresville: On Michael Hofmann’s “One Lark, One Horse”
André Naffis-Sahely reviews “One Lark, One Horse.”
André Naffis-Sahely reviews “One Lark, One Horse.”
Melissa Chan considers "The 2020 Commission Report on the North Korean Nuclear Attacks Against the United States."
Paul Buhle reviews Bill Schelly's memoir "Sense of Wonder: My Life in Comic Fandom — the Whole Story."
A Nigerian author’s new novel shows why #BringBackOurGirls is a Western fantasy.
A new novel portrays writerly agony in a haze of indecision and pot smoke.
Lauren Kinney swims through the collection “New Micro: Exceptionally Short Fiction.”
Paul Delany reviews the final book of Karl Ove Knausgaard's "My Struggle" series.
Eugene Brennan reflects on Elaine Mokhtefi’s memoir of her years with the Black Panthers in Algeria.
Stefanie Sobelle reviews David Scott Kastan and Stephen Farthing's "On Color."
An essential writer in his quintessential decade.
Veronica Scott Esposito interprets “Crossing Borders: Stories and Essays about Translation,” edited by Lynne Sharon Schwartz.
A cultural biography of America’s censor and the new Puritanism.
Kristen Kittscher reviews “I’ll Be Gone in the Dark” by Michelle McNamara.
Dean of Berkeley Law School Erwin Chemerinsky reviews Laurence Tribe and Joshua Matz's "To End a Presidency."
A distinguished history of energy innovations finds that collaboration and waste are the inevitable accompaniments.
Manuel de Pedrolo's "Typescript of the Second Origin" is a novel both born from and about politics: in particular, the politics of identity.