Hells Angels and Other Role Models: Robert Anthony Siegel’s “Criminals”
“Criminals” is Robert Anthony Siegel’s account of his New York City childhood as the son of an unscrupulous defense attorney.
“Criminals” is Robert Anthony Siegel’s account of his New York City childhood as the son of an unscrupulous defense attorney.
Shoshana Olidort reviews Leonard Cohen’s posthumous “The Flame: Poems Notebooks Lyrics Drawings.”
Douglas Smith investigates “The Race to Save the Romanovs” by Helen Rappaport.
James Baldwin’s 1976 young adult novel, reissued.
Paul Ortiz's book helps us remember that the people who fought united against white supremacy, have a long and powerful track record.
Will Moore on the subtly subversive "Eternal Friendship."
Exploring the line between faith and fantasy, “voodoo” and Vodou, in Omise’eke Natasha Tinsley’s “Ezili’s Mirrors: Imagining Queer Black Genders.”
Kitty Lindsay finds a useful tool in "Graphic Reproduction: A Comics Anthology," edited by Jenell Johnson.
"If you read this book, read it three times, each time buying a new copy for the sake of the author." Sakada reviews Anna Moschovakis's new novel.
Bob Blaisdell considers the six longer stories collected in Mikhail Zoshchenko’s “Sentimental Tales,” newly translated by Boris Dralyuk.
Ashley Valanzola appraises “Objects of War: The Material Culture of Conflict and Displacement,” edited by Leora Auslander and Tara E. Zahra.
"How effective are Islamic states at satisfying the religious needs of their citizens?" Nile Green on "The Iranian Metaphysicals."
Mike Broida finds danger in Juan Gabriel Vásquez’s exploration of the conspiracies that shaped Colombia in his new novel, “The Shape of the Ruins.”
Alyssa Loh explores a critique of the attention economy from ex-Google strategist James Williams.
For Callum Angus, Guadalupe Nettel’s mission in her newly translated novel After the Winter is “deeply personal and recognizably urgent.”
Matt E. Lewis reviews “The Third Hotel” by Laura van den Berg.