The Knight of the Railways
Eric Vanderwall takes a ride with French author Mattia Filice’s debut novel “Driver,” newly translated by Jacques Houis.
Eric Vanderwall takes a ride with French author Mattia Filice’s debut novel “Driver,” newly translated by Jacques Houis.
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”
Mattilda Bernstein Sycamore reviews the new edition of David Wojnarowicz’s collection “Memories That Smell Like Gasoline.”
Forest Lewis ponders Graham St John’s “Strange Attractor: The Hallucinatory Life of Terence McKenna.”
Morten Høi Jensen reviews Uwe Wittstock’s “Marseille 1940: The Flight of Literature,” translated by Daniel Bowles.
W. Patrick McCray surveys Matthew Wisnioski’s description of the United States’ evolution—and devolution—into a nation obsessed with innovation.
Patrick House is inspired by Blaise Agüera y Arcas’s “What Is Intelligence?” to think about what might constitute the difference between artificial and natural intelligence.
John Lysaker connects with Jeffrey L. Kosky’s “From the Heart: A Memoir and a Meditation on a Vital Organ.”
Kurt Guldentops and Sungshin Kim review Bora Chung’s “Red Sword,” newly translated by Anton Hur.
Martin Dolan explores labor, trade, and shared humanity in Craig Thompson’s “Ginseng Roots.”
Isabel Jacobs considers Aaron Schuster’s “How to Research Like a Dog: Kafka’s New Science.”
Oliver Evans reviews Will Sloan’s new biography “Ed Wood: Made in Hollywood USA.”
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Justin St. Clair reviews Thomas Pynchon’s new novel “Shadow Ticket.”
Ryan McIlvain finds the truth worth telling in Rickey Laurentiis’s “Death of the First Idea” and Geoff Bouvier’s “Us from Nothing: A Poetic History.”
Arjun S. Byju employs Emily C. Bloom’s “I Cannot Control Everything Forever: A Memoir of Motherhood, Science, and Art” to investigate how tools of empowerment set us up for disappointment.