The Artist Is Present (Online)
Sophie Bishop’s new book tracks the pressures artists face to conform their ‘brands’ to the demands of the algorithmic boss.
Sophie Bishop’s new book tracks the pressures artists face to conform their ‘brands’ to the demands of the algorithmic boss.
Should historians look at violent revolutions with rose-colored glasses while vindicating the terror that carried them forth?
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
Joan Copjec’s new book charts the conceptual affinities and historical convergences between psychoanalysis and Islamic philosophy.
A cheerful collection of Turkish erotica, translated by Burcu Karahan, offers insights into early 20th-century sexuality in Istanbul.
How the university entrance exam and residency permits structure life for in China.
Amid cinema’s decline, two new books by A. S. Hamrah resist defeatism.
A major new study puts the visual paradoxes and optical illusions of baroque art at the heart of theological debates of the Counter-Reformation.
In the wake of Bob Weir’s death, a new book emerges on the Grateful Dead’s overlooked engagement with literature.
Chris Horton’s ‘Ghost Nation’ and Ching Kwan Lee’s ‘Forever Hong Kong’ follow protesters and revolutionaries who, successfully or otherwise, challenged the power of the state.
On Urszula Honek’s bleak debut story collection, the Booker long-listed ‘White Nights,’ newly translated by Kate Webster.
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Terry Eagleton’s recent book employs his trademark witty style in an attempt to say something new about the era that birthed modernism.
‘Silk & Sinew: A Collection of Folk Horror from the Asian Diaspora,’ a new anthology edited by Kristy Park Kulski, uses storytelling to demonstrate why ‘the ghosts of our futures cannot just be entities that lurk in the background.’
In ‘Monk Fruit,’ Edward Salem’s poetry presents ‘a wild ride of touchpoints’ that serve together as a ‘gastric lavage’ for the trauma-fatigued reader.
The protagonist of Antônio Xerxenesky’s novel ‘An Infinite Sadness,’ newly translated by Daniel Hahn, searches for ‘something beyond psychological solutions’ at a sanatorium in the Swiss Alps.