Bones, Roses, and Ruins
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Alexandre Lefebvre reads “Furious Minds: The Making of the MAGA New Right” by Laura K. Field.
Zoe Adams considers “There Is No Place for Us: Working and Homeless in America” by Brian Goldstone.
Heather Macumber reviews Brandon Grafius’s “Scared by the Bible: The Roots of Horror in Scripture.”
William Egginton pays heed to Santiago Zabala’s “Signs from the Future: A Philosophy of Warnings.”
Minjie Chen takes a journey through China’s shadowlands in “Hello, Kitty and Other Stories” by Anne Stevenson-Yang.
Tom Williams explores the folklore surrounding a pop star’s reputation in Elly McCausland’s “Swifterature: A Love Story.”
Randy M. Browne considers Keisha N. Blain’s new book, which finds that Black women, historically, haven’t simply argued for racial justice at home; they have, in fact, fought for and won human rights for everyone worldwide.
Victoria Dailey reviews Jake Milgram Wien’s catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
Elizabeth Alsop picks up the trail of Kelly Reichardt’s alienated art thief in “The Mastermind.”
Adam Kotsko boldly goes into season three of “Star Trek: Strange New Worlds” with high expectations.
Jordan Williamson investigates Derek Lee’s “Parascientific Revolutions: The Science and Culture of the Paranormal” and Joshua Comaroff’s “Spectropolis: The Enchantment of Capital in Singapore.”
Annalisa Zox-Weaver reviews Andres Veiel’s 2024 documentary about Hitler’s favorite filmmaker.
Dave Mandl catches a whiff of Cory Doctorow’s anatomy of platform “enshittification.”
Tia Glista examines the pro-child paranoia that fuels FX’s new series “Alien: Earth.”
Alexander Billet listens to Damon Krukowski’s “Why Sound Matters.”