Bodies Without Bodies
Martín Felipe Castagnet’s absorbing debut novel explores the unexpected consequences of technological immortality.
Martín Felipe Castagnet’s absorbing debut novel explores the unexpected consequences of technological immortality.
In her sly, layered novel “This Mournable Body,” Tsitsi Dangarembga forces the reader’s perspective toward both violence and its humane alternatives.
Francesca Capossela puts “The Real Lolita” by Sarah Weinman in dialogue with “Lolita” by Vladimir Nabokov.
Désirée Zamorano reviews “The Real Lolita” by Sarah Weinman.
Another attempt to explain Texas to the perplexed covers familiar territory, but still distinguishes itself.
Rob Latham sings the praises of “Moderan,” a neglected classic about a false utopia by David R. Bunch.
Why did the 19th century pose so many questions?
Robert Zaretsky tackles “The Monarchy of Fear: A Philosopher Looks at Our Political Crisis” by Martha C. Nussbaum.
“Once Upon a Time Machine Volume 2: Greek Gods and Legends” sees adaptation as more than the straightforward retelling of old tales in a different medium.
Anita Felicelli on the firebrand Ishmael Reed’s latest novel, “Conjugating Hindi,” which is out now from Dalkey Archive Press.
A biography of one of India’s forgotten female rulers.
Sidney Perkowitz unravels the secrets of the infamous Theranos scandal.
"White Fragility" reads as one-part jeremiad and one-part handbook. It is by turns mordant and then inspirational.
In a new text by Bruno Latour, the French theorist discusses the politics of ecological denial and the global-local divide on both sides of the Atlantic.
Houman Barekat considers “Alt-Right: From 4chan to the White House,” an analysis of far-right internet culture by Mike Wendling.
Wendell Berry’s new collection, “The World-Ending Fire,” teaches that the rotten ways we treat one another are rooted in the rotten ways we treat the land.