“Marlowe Would Be Proud”: On “The Annotated Big Sleep”
Geoff Nicholson wanders the mean streets with Raymond Chandler’s “The Annotated Big Sleep” for a Baedeker.
Geoff Nicholson wanders the mean streets with Raymond Chandler’s “The Annotated Big Sleep” for a Baedeker.
Liesl Schwabe reviews Gendun Chopel's "The Passion Book: A Tibetan Guide to Love & Sex."
Gabriel Winant considers Barry Eidlin’s answer to the perennial question: why has leftism fared better in Canada?
Jan Wilm considers Christian Kracht's latest novel to be translated into English as well as how his critics misjudge his works.
Lydia Pyne digs into “The Dinosaur Artist: Obsession, Betrayal, and the Quest for Earth’s Ultimate Trophy” by Paige Williams.
The mystery that Rivera Garza’s detective confronts is framed by primordial fear, a horror that can't be accounted for even by the most radical fairy tales.
A new book about the fracking boom hits close to home.
Scott Selisker reviews Merve Emre’s “The Personality Brokers.”
A prison novel written by a convicted bank robber delivers on more than the author’s backstory.
A searing meditation on the cult of materialism, "Familiar Things" is a beautiful and almost uplifting parable about recovering things wantonly discarded.
What is the best method for translation? V. Joshua Adams looks to Mark Polizzotti's "Sympathy for the Traitor" to find out.
Why are we drugging ourselves to death?
A memoir by the leader of Ruben And the Jets.
Katharine Coldiron decodes Icelandic author Sjón’s “CoDex 1962,” a “risky, funny, sexy, entirely unique book.”
A collection of interviews with an artist of collage and wordplay.
Anjali Vaidya reviews Naomi Klein's latest, "The Battle for Paradise: Puerto Rico Takes on the Disaster Capitalists."