Avoid Having a Self: On Anne Carson’s “Wrong Norma”
Rowland Bagnall reviews Anne Carson’s “Wrong Norma.”
Rowland Bagnall reviews Anne Carson’s “Wrong Norma.”
Rachel Carroll reviews Saretta Morgan’s “Alt-Nature.”
Tom Zoellner reviews Geoff Nicholson’s “Walking on Thin Air: A Life’s Journey in 99 Steps.”
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.
Vivian Medithi interviews Melissa Broder about her novel “Death Valley.”
Thomas Elrod reviews Francesca Peacock’s “Pure Wit: The Revolutionary Life of Margaret Cavendish.”
Erik Blair explores what happens when audience members venture onstage to become part of what they came to watch.
Leif Weatherby reviews Matthew Coller’s “Football Is a Numbers Game: Pro Football Focus and How a Data-Driven Approach Shook Up the Sport.”
Joshua Yang reviews two new books on Hong Kong protests—Shibani Mahtani and Timothy McLaughlin’s “Among the Braves: Hope, Struggle, and Exile in the Battle for Hong Kong and the Future of Global Democracy” and Brian Kern’s “Liberate Hong Kong: Stories from the Freedom Struggle.”
In the wake of his recent reconsideration, current intern Belén Yudess pulls up an article David Graeber co-authored.
Adam Mansbach writes about his experience growing up among antisemitism and hip-hop.
Deanna K. Kreisel reviews Andrew Leland’s “The Country of the Blind: A Memoir at the End of Sight.”
Rebecca Giordano attends Kate Berlant’s one-woman show in Pasadena and finds that, sometimes, bigger is indeed better.
Writer Nathan Thrall joins Kate Wolf to talk about his recent book, “A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy,” which was published last October and named one of the best books of the year by The New Yorker, The Economist, The New Republic, and the Financial Times.
Michael Sandlin reviews Jason Ruiz’s “Narcomedia: Latinidad, Popular Culture, and the War on Drugs.”
Michael Downs considers the troubled state of the institution that preserves the work of H. L. Mencken.