What Is the Point of Such Inhumane Programs? On Magdalena Saryusz-Wolska’s “Microhistories of Memory”
Harry Waksberg reviews a new book about a German television series about the Holocaust, written by Magdalena Saryusz-Wolska.
Harry Waksberg reviews a new book about a German television series about the Holocaust, written by Magdalena Saryusz-Wolska.
Charles Emmerson reviews two recent books on France’s colonial legacy, Nabila Ramdani’s “Fixing France” and Pierre Singaravélou’s “Colonisations.”
Jack Skelley pays the piper at the gates of Zebulon: Robyn Hitchcock covering Syd Barrett songs in Los Angeles.
Mattia Ravasi reviews Debbie Urbanski’s “After World.”
Selby Wynn Schwartz speaks with Julian Carter about his new book “Dances of Time and Tenderness,” self-described as “not a memoir, but a collective memory.”
Lisa Locascio Nighthawk reviews Alexis Landau’s “The Mother of All Things.”
Josh Billings reviews Morgan Talty’s debut novel “Fire Exit.”
Madeleine Connors finds herself in a headlock of glorious spectacle at the Sukeban all-female pro-wrestling championship in L.A.
Claudia Casper reviews Sarah Blaffer Hrdy’s “Father Time: A Natural History of Men and Babies.”
Jonathan Liebson reviews Simon Kuper’s “Impossible City: Paris in the 21st Century.”
Manjula Martin speaks with Emily Raboteau about environmental writing and their recent climate crisis memoirs.
Gabriel X. Hendrix reviews Gil Cuadros’s “My Body is Paper.”
Honk if you love Brittany Menjivar taking the scenic route at Petersen Automotive Museum’s “Eyes on the Road” exhibit.
Sara Campos reviews “In the Shadow of Liberty: The Invisible History of Immigrant Detention in the United States” by Stanford professor Ana Raquel Minian.
Conor Williams reviews a new biography of Dorothy Dean, edited by Anaïs Ngbanzo.
Fickle beast David Diaz picks some bones with screamo bands at Your Renaissance Fest in an L.A. warehouse.