Down(town) in the Underground
While attending the Labyrinth Masquerade Ball, Brittany Menjivar gets reminded of the babe, the babe with the power, the power of—no, don’t even get me started.
While attending the Labyrinth Masquerade Ball, Brittany Menjivar gets reminded of the babe, the babe with the power, the power of—no, don’t even get me started.
Jim Berg reviews Katherine Bucknell’s “Christopher Isherwood Inside Out.”
Can Sugar Daddy, Doctor KA, and Bicep Boyfriend team up to save 4th Street from Insatiable Capitalism? A. J. Urquidi is on the scene to find out.
Madeleine Connors moves through the ranks while brushing off hopeful check-mates at the LA Chess Club Singles Arena in the Fashion District.
Emmeline Clein interviews Dream Baby Press co-founder Matt Starr about his debut book of poetry, “Mouthful.”
For the LARB Quarterly issue no. 42, “Gossip,” our editors started a group chat on group chats.
Madeline Ullrich explores the contradictions of “children’s television” in the Max/ID series “Quiet on Set” and Jane Schoenbrun’s film “I Saw the TV Glow.”
Elena Megalos scrolls Instagram for images of a relationship that might have been, in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Jamieson Webster invokes Sigmund Freud and Ambassador William C. Bullitt in an attempt to psychoanalyze political leaders, in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Tim Brinkhof explores the poetics and politics of the cruise-ship essay.
Charlotte Shane joins Kate Wolf to speak about her latest book, “An Honest Woman: A Memoir of Love and Sex Work.”
Sadie Sartini Garner recalls a Nine Inch Nails concert from the year 2000 and wonders where those she stood shoulder to shoulder with have gone.
Sanaë Lemoine assembles the fickle pieces of one particularly elusive man’s identity in a short story from the LARB Quarterly issue no. 42, “Gossip.”
Tosten Burks finds himself among the labyrinth walkers of Los Angeles.
Emily R. Klancher Merchant examines the growing enthusiasm among tech elites for genetically engineering their children, in the third essay of the Legacies of Eugenics series.
In Los Ageless, the winter may never come, but Madeleine Connors will keep runnin’ to the Greek Theatre to witness St. Vincent’s glam.