Are You Okay, My Love?
In Los Ageless, the winter may never come, but Madeleine Connors will keep runnin’ to the Greek Theatre to witness St. Vincent’s glam.
In Los Ageless, the winter may never come, but Madeleine Connors will keep runnin’ to the Greek Theatre to witness St. Vincent’s glam.
Heather Kenny takes the temperature around the DNC in the first dispatch from LARB’s Election Desk.
Aaron Schuster explores the intersection of Flaubert, language, and ChatGPT in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Brittany Menjivar interviews actor, filmmaker, and meme admin Peter Vack about his debut novel, “Sillyboy.”
Victoria Sturtevant reviews Pamela Adlon’s new film “Babes.”
J. R. Kerr-Ritchie reviews Randy M. Browne’s “The Driver’s Story: Labor and Power in the World of Atlantic Slavery.”
All the other kids with the pumped-up kicks can’t outrun Brittany Menjivar’s excitement at the Foster the People show in West Hollywood.
Paul Allen Anderson reviews Ann Powers’s “Traveling: On the Path of Joni Mitchell.”
Annie Berke considers the figure of the woman writer in the popular TV series “Bridgerton” and “Hacks,” in the latest installment of Screen Shots.
David St. John and Andrea Werblin Reid consider speech acts in their various complexities in two poems from the LARB Quarterly issue no. 42, “Gossip.”
Sheila McClear reviews “Men Have Called Her Crazy,” a supposed tell-all memoir by Anna Marie Tendler.
Ruth Madievsky closes the gate on her college rumor mill in a personal essay from the LARB Quarterly issue no. 42, “Gossip.”
Eric Newman speaks with Eugene Lim about his novel “Fog & Car.”
Nick Owchar reviews Reuben Woolley’s new translation of Andrey Kurkov’s “Jimi Hendrix Live in Lviv.”
Timo Schaefer reviews Mateo Jarquín’s “The Sandinista Revolution: A Global Latin American History.”
Rhian Sasseen depicts the relationship between a lonely man and his phone—one that takes a sudden, surreal turn—in a short story from the LARB Quarterly issue no. 42, “Gossip.”