Aria Aber’s “The Institution”
In a new poem from LARB Quarterly no. 41, “Truth,” Aria Aber imagines the joy of a rock rolled endlessly uphill.
In a new poem from LARB Quarterly no. 41, “Truth,” Aria Aber imagines the joy of a rock rolled endlessly uphill.
Anthony Alessandrini reviews Hala Alyan’s “The Moon That Turns You Back.”
A seductive read about the murky world of wealth, morality, and self-discovery. Check out our Fall 2024 pick for the LARB Book Club: “Entitlement” by Rumaan Alam.
Erik Davis joins Kate Wolf to speak about his latest book, “Blotter: The Untold Story of an Acid Medium.”
Evan Selinger reviews Hilke Schellmann’s “The Algorithm: How AI Decides Who Gets Hired, Monitored, Promoted, and Fired and Why We Need to Fight Back Now.”
Julien Crockett interviews Alison Gopnik and Melanie Mitchell about complexity and learning in AI systems, and our roles as caregivers.
Madeleine Connors investigates the Ed Ruscha exhibition at LACMA, which is not currently on fire.
From underneath a sleeping baby, Nada Alic offers a dispatch “from the first draft of motherhood,” in an excerpt from LARB Quarterly no. 41, “Truth.”
Brendan Boyle considers Bertrand Bonello’s 2023 film “The Beast.”
Stephanie Bastek steps into artist Mickalene Thomas’s glittery childhood living room at the Broad in Los Angeles.
Cinque Henderson writes a personal tribute for Helen Vendler.
Kenneth Dillon reviews Becca Rothfeld’s “All Things Are Too Small: Essays in Praise of Excess.”
For AAPI month, Rajpreet Heir writes about the creative guidance she’s found in memoirs by AAPI authors.
In an excerpt from LARB Quarterly no. 41, “Truth,” Chloe Martinez presents a new poem about what happened, what could have happened, and why it all matters.
Matt Ray and Matthew Wranovics review Robert W. Cherny’s “San Francisco Reds: Communists in the Bay Area, 1919–1958.”
A. J. Urquidi finds that the Pearl Jam cottage industry is “still alive” and rockin’ in the free world of the Forum.